It is a sober truth that, of the books we chiefly love, we know least about the authors. Perpetrating probably the only joke in his great Bodleian Catalogue, Dr. Steinschneider enters the Bible under the heading _Anonyma_. We are nowadays so concerned to know whether Moses or another wrote the Pentateuch, that we neglect the Pentateuch as though _no one_ had ever written it. What do we know about the personality of Shakespeare? Perhaps we are happy in our ignorance. "Sometimes," said Jonathan Swift, "I read a book with pleasure and detest the author." Most of us would say the same of Jonathan Swift himself, and all of us, I think, share R.L. Stevenson's resentment against a book with the portrait of a living author, and in a heightened degree against an English translation of an ancient Hebrew classic with the translator's portrait. Sometimes such a translator _is_ the author; his rendering, at all events, is not the classic. A certain Fidentinus once stole the work of the Roman poet Martial, and read it out to the assembly as his own; whereupon Martial wrote this epigram, The book you read is, Fidentinus, mine, Tho' read so badly, it well may pass for thine. But even apart from such bad taste as the aforementioned translator's, I do not like to see portraits of living authors in their books. The author of a good book becomes your intimate, but it is the author as you know him from his book, not as you see him in the flesh or on a silver print. I quote Stevenson again: "When you have read, you carry away with you a memory of the man himself; it is as though you had touched a loyal hand, looked into brave eyes, and made a noble friend; there is another bond on you thenceforward, binding you to life and to the love of virtue."