The Book of Delight, and other papersAbrahams, Israel
Religion
The Book of Delight, and other papers
Abrahams, Israel
Ibn Zabara, Joseph ben Meir, 1140?- Sefer sha'ashu'im; Jews -- Intellectual life; Love poetry, Hebrew -- History and criticism
This line of thought leads me to the further remark, that some part of
the solace derived from books has changed its character since the art of
printing was invented. In former times the personality, if not of the
author, at all events of the scribe, pressed itself perforce upon the
reader. The reader had before him, not necessarily an autograph, but at
all events a manuscript. Printing has suppressed this individuality, and
the change is not all for the better. The evil consists in this, that
whereas of old a book, being handwritten, was clearly recognized as the
work of some one's hand, it now assumes, being printed, an impersonal
importance, which may be beyond its deserts. Especially is this the case
with what we may term religious authorities; we are now apt to forget
that behind the authority there stands simply--the author. It is
instructive to contrast the customary method of citing two great
codifiers of Jewish law--Maimonides and Joseph Caro. Caro lived in the
age of printing, and the _Shulchan Aruch_ was the first great Jewish
book composed after the printing-press was in operation. The result has
been, that the _Shulchan Aruch_ has become an impersonal authority,
rarely cited by the author's name, while the _Mishneh Torah_ is mostly
referred to as the Rambam, _i.e._ Maimonides.
For all that, printing has been a gain, even from the point of view at
which I have just arrived. Not only has it demolished the barrier which the
scribe's personality interposed between author and reader, but, by
increasing the number of readers, it has added to the solace of each. For
the solace of books is never selfish--the book-miser is never the
book-lover, nor does the mere collector of rarities and preciosities
deserve that name, for the one hoards, but does not own; the other serves
Mammon, not God. The modern cheapening of books--the immediate result of
printing--not only extends culture, it intensifies culture. Your joy in a
book is truest when the book is cheapest, when you know that it is, or
might be, in the hands of thousands of others, who go with you in the
throng towards the same divine joy.
Public-domain text, read in full here on John Shaqi.
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