Just as the last half of the eighteenth century may be said to group
itself round Hume, so the first half of the nineteenth has Scott for its
central figure. I have spoken of his birthplace in the College Wynd. In
1825 he pointed out its site to Robert Chambers. “It would have been
more profitable to have preserved it,” said Chambers in a neat
compliment to Scott’s rapidly growing fame. “Ay, ay,” said Sir Walter,
“that is very well, but I am afraid that I should require to be dead
first, and that would not have been so comfortable, you know.” Thus,
with good sense and humour, Scott turned aside the eulogium which
perhaps he thought too strong. How modest he was! He frankly, and
justly, put himself as a poet below Byron and Burns, and as for
Shakespeare, “he was not worthy to loose his brogues.” His sense and
good-nature helped to make him popular with his fellows. Hogg, the
Ettrick Shepherd, was a possible exception. Scott did him good, yet
after Scott’s death he wrote some nasty things. In truth, he had an
unhappy nature, since he was somewhat rough to others and yet abnormally
sensitive. Lockhart tells a story of Hogg’s visit to Scott’s house in
Castle Street, where he was asked to dinner. Mrs. Scott was not well,
and was lying on a sofa. The Shepherd seized another sofa, wheeled it
towards her, and stretched himself at full length on it. “I thought I
could never do wrong to copy the lady of the house.” His hands, we are
told, had marks of recent sheep-shearing, of which the chintz bore
legible traces; but the guest noted not this; he ate freely, and drank
freely, and talked freely; he became gradually more and more familiar;
from “Mr. Scott” he advanced to “Shirra” and thence to “Scott,”
“Walter,” “Wattie,” until at supper he fairly convulsed the whole party
by addressing Mrs. Scott as “Charlotte.” I think, however, that Scott
was too much of a gentleman ever to have told this story. “The
Scorpion,” as the _Chaldean Manuscript_ named Lockhart, had many good
qualities, but was, after all, a bit of a “superior person.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account