Most of the literary men of the time were in two camps. Either they
wrote for the _Edinburgh Review_, or for _Blackwood’s Magazine_,
occasionally for both. The opponents knew each other, and were more or
less excellent friends, though they used the most violent language.
Jeffrey was the great light on the _Edinburgh_; he was described by
Professor Wilson’s wife as “a horrid little man, but held in as high
estimation here as the Bible.” Her husband, with Lockhart and Hogg, were
the chief writers for the Magazine. The first number of that last, as we
now know it, contained the famous _Chaldean Manuscript_, in which
uproarious fun was made of friends and foes, under the guise of a
scriptural parable. They began with their own publisher and real editor.
“And his name was as it had been the colour of ebony, and his number was
the number of a maiden when the days of the year of her virginity have
expired.” In other words, Mr. Blackwood of 17 Princes Street. Constable,
the publisher, was the “crafty in council,” and he had a notable horn in
his forehead that “cast down the truth to the ground.” This was the
_Review_. Professor Wilson was “the beautiful leopard from the valley of
the plane trees,” referring to the _Isle of Palms_, the poem of which
Christopher North was the author. Lockhart was the “scorpion which
delighteth to sting the faces of men.” Hogg was “the great wild boar
from the forests of Lebanon whetting his dreadful tusks for the battle.”
It was the composition of these last three spirits, and is described by
Aytoun as “a mirror in which we behold literary Edinburgh of 1817,
translated into mythology.” It was chiefly put together one night at 53
Queen Street, amidst uproarious laughter that shook the walls of the
house, and made the ladies in the room above send to inquire in wonder
what the gentlemen below were about. Even the grave Sir William Hamilton
was of the party; he contributed a verse, and was so amused at his own
performance that he tumbled off his chair in a fit of laughter. Perhaps
the personalities by which it gained part of its success were not in the
best taste, but never was squib so successful. It shook the town with
rage and mirth. After well-nigh a century, though some sort of a key is
essential, you read it with a grin; it has a permanent, if small, place
in the history of letters. Yet Wilson contributed to the _Edinburgh_!
“John,” said his mother when she heard it, “if you turn Whig, this house
is no longer big enough for us both.” There was no fear of _that_,
however.
Public-domain text, read in full here on John Shaqi.
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