The Book of History (Vol. 1 of 18): A History of All Nations from the Earliest Times to the PresentVarious
History
The Book of History (Vol. 1 of 18): A History of All Nations from the Earliest Times to the Present
Various
World history
There is no doubt whatever that in the main these clay vessels were
made on the spot where we find their remains at the present day. This
easily explains the local peculiarity that we recognise in various
finds, by which certain groups may be defined as more or less connected
with one another. Different styles may be clearly distinguished by
place and group. But, this notwithstanding, wherever we meet with
neolithic ceramics, they cannot conceal their homogeneous character. In
spite of all peculiarities this general uniform style of the ceramics
of the Stone Age, which we can easily distinguish and determine even
under its various disguises, goes over the whole of Europe.
[Sidenote: The Proofs of Man’s Mental Development]
In finds that lie nearer to the old Asiatic centres of civilisation and
to the coasts of the Mediterranean--as, for instance, at Butmir--the
vessels are in part better worked, and the ornaments are richer and
more elegant, and the spirals more frequent and more regular, and
are sometimes moulded on, and sometimes, as we have mentioned, even
painted in colour. But the general character remains unmistakably
Neolithic, and may be found not only on the European coasts of the
Mediterranean and the islands of the Ægean Sea, but in certain respects
also in Mesopotamia and Egypt. The oldest Trojan pottery also exhibits
unmistakable points of agreement with it.
Not only the stone weapons and implements, but, as far as we can see,
even the remains of the oldest ceramics, show that uniform development
of the culture of the Neolithic Period which proves a like course of
mental development in mankind.
[Illustration: THE WORLD BEFORE HISTORY--V
Professor JOHANNES RANKE]
THE HOME LIFE OF PRIMITIVE FOLK
[Sidenote: What the Lake Dwellings Tell]
Public-domain text, read in full here on John Shaqi.
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