From the painting, “The Slaughter of a Mammoth,” by V. M. Vasnetsov, now in the Russian Historical Museum at Moscow. ] We shall see how far this oldest pottery of the Stone Age is distinguished by its want of decoration from that of the fully-developed Stone Age. But it is very important to notice that this rudest mode of making clay vessels, which we here see forming the beginning of a whole series that rises to the highest pitch of artistic perfection, remained in vogue not only during the whole Stone Age, but even in much later times. [Sidenote: Stone Age Potter’s Handwork] It is true that in the fully developed neolithic Stone Age of Europe the clay pottery is also all made by hand, without the potter’s wheel, the oldest and rudest forms still occurring everywhere, as we have said; but besides these a great variety is exhibited in the size, form, and mode of production of the pottery. The clay is often finer, and even quite finely worked and smoothed, and the vessels have thin sides and are burnt right through. The thick fragments are generally only burnt outside, frequently only on one side, and so much that the clay has acquired a bright red colour, whereas the inside, although hard, has remained only a greyish black. We have numerous perfectly preserved vessels of the later Neolithic Age. They are frequently distinguished by an artistic finish and beauty of form, and on their surfaces we find ornaments incised or imprinted, but rarely moulded on them, which, although the style is only geometrical, cannot be denied a keen sense of beauty and symmetry. The clay vessels also show the beginning of coloured decoration. The incised strokes, dots, etc., are often filled out with white substance (chalk or plaster), which brings the patterns out into bold ornamental relief from the black or red ground of the surface. After that it is no wonder that pottery advanced to the real coloured painting of the vessels during the Neolithic Period, at least in some places. [Sidenote: Growth of Artistic Taste] On these vessels the handle now appears, in its simplest form as a wart-like or flatter projection from the side of the vessel, pierced either vertically or horizontally with a narrow opening just large enough to admit of a cord being passed through. Other handles, just like those in use at the present day, are bowed out broad, wide, and high for holding with the hand. These generally begin quite at the top, at the rim of the vessel, and are continued from there down to its belly, whereas the first-mentioned are placed lower, frequently around the greatest circumference of the vessel.