We issue from the Square into the drive leading to the spring at the foot of the mountain. On the meadows near the stream, is always to be found a group of Baalbekians bibbing _arak_ and swaying languidly to the mellow strains of the lute and the monotonous melancholy of Arabic song. Among such, one occasionally meets with a native who, failing as peddler or merchant in America, returns to his native town, and, utilising the chips of English he picked up in the streets of the New-World cities, becomes a dragoman and guide to English and American tourists. Now, under this sky, between Anti-Libanus rising near the spring, Rasulain, and the Acropolis towering above the poplars, around these majestic ruins, amidst these fascinating scenes of Nature, Khalid spent the halcyon days of his boyhood. Here he trolled his favourite ditties beating the hoof behind his donkey. For he preferred to be a donkey-boy than to be called a donkey at school. The pedagogue with his drivel and discipline, he could not learn to love. The company of muleteers was much more to his liking. The open air was his school; and everything that riots and rejoices in the open air, he loved. Bulbuls and beetles and butterflies, oxen and donkeys and mules,--these were his playmates and friends. And when he becomes a muleteer, he reaches in his first venture, we are told, the top round of the ladder. This progressive scale in his trading, we observe. Husbanding his resources, he was soon after, by selling his donkey, able to buy a sumpter-mule; a year later he sells his mule and buys a camel; and finally he sells the camel and buys a fine Arab mare, which he gives to a tourist for a hundred pieces of English gold. This is what is called success. And with the tangible symbol of it, the price of his mare, he emigrates to America. But that is to come.