Japan -- Social life and customs; Japanese tea ceremony; Tea
All our great tea-masters were students of Zen and attempted to
introduce the spirit of Zennism into the actualities of life. Thus the
room, like the other equipments of the tea-ceremony, reflects many of
the Zen doctrines. The size of the orthodox tea-room, which is four mats
and a half, or ten feet square, is determined by a passage in the Sutra
of Vikramadytia. In that interesting work, Vikramadytia welcomes the
Saint Manjushiri and eighty-four thousand disciples of Buddha in a room
of this size,--an allegory based on the theory of the non-existence of
space to the truly enlightened. Again the roji, the garden path which
leads from the machiai to the tea-room, signified the first stage of
meditation,--the passage into self-illumination. The roji was intended
to break connection with the outside world, and produce a fresh
sensation conducive to the full enjoyment of aestheticism in the
tea-room itself. One who has trodden this garden path cannot fail to
remember how his spirit, as he walked in the twilight of evergreens over
the regular irregularities of the stepping stones, beneath which lay
dried pine needles, and passed beside the moss-covered granite lanterns,
became uplifted above ordinary thoughts. One may be in the midst of a
city, and yet feel as if he were in the forest far away from the dust
and din of civilisation. Great was the ingenuity displayed by the
tea-masters in producing these effects of serenity and purity. The
nature of the sensations to be aroused in passing through the roji
differed with different tea-masters. Some, like Rikiu, aimed at utter
loneliness, and claimed the secret of making a roji was contained in the
ancient ditty:
"I look beyond;
Flowers are not,
Nor tinted leaves.
On the sea beach
A solitary cottage stands
In the waning light
Of an autumn eve."
Others, like Kobori-Enshiu, sought for a different effect. Enshiu said
the idea of the garden path was to be found in the following verses:
"A cluster of summer trees,
A bit of the sea,
A pale evening moon."
It is not difficult to gather his meaning. He wished to create the
attitude of a newly awakened soul still lingering amid shadowy dreams of
the past, yet bathing in the sweet unconsciousness of a mellow spiritual
light, and yearning for the freedom that lay in the expanse beyond.
Public-domain text, read in full here on John Shaqi.
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