The Book of the CourtierCastiglione, Baldassarre, conte
History
The Book of the Courtier
Castiglione, Baldassarre, conte
Courtesy -- Early works to 1800; Courts and courtiers -- Early works to 1800
5.—But leaving this aside, I say that the custom of all the gentlemen of
the house was to betake themselves straightway after supper to my lady
Duchess; where, among the other pleasant pastimes and music and dancing
that continually were practised, sometimes neat questions were proposed,
sometimes ingenious games were devised at the choice of one or another,
in which under various disguises the company disclosed their thoughts
figuratively to whom they liked best. Sometimes other discussions arose
about different matters, or biting retorts passed lightly back and
forth. Often “devices” (_imprese_), as we now call them, were
displayed;[40] in discussing which there was wonderful diversion, the
house being (as I have said) full of very noble talents; among whom (as
you know) the most famous were my lord Ottaviano Fregoso, his brother
messer Federico,[41] the Magnifico Giuliano de’ Medici, messer Pietro
Bembo,[42] messer Cesare Gonzaga,[43] Count Ludovico da Canossa,[44] my
lord Gaspar Pallavicino,[45] my lord Ludovico Pio,[46] my lord Morello
da Ortona,[47] Pietro da Napoli, messer Roberto da Bari,[48] and
countless other very noble cavaliers. Moreover there were many, who,
although usually they did not dwell there constantly, yet spent most of
the time there: like messer Bernardo Bibbiena, the Unico Aretino,[49]
Giancristoforo Romano,[50] Pietro Monte,[51] Terpandro,[52] messer
Niccolò Frisio;[53] so that there always flocked thither poets,
musicians and all sorts of agreeable[54] men, and in every walk the most
excellent that were to be found in Italy.
[Illustration:
ELISABETTA GONZAGA
DUCHESS OF URBINO
1471-1526
]
Reduced from Braun’s photograph (no. 41.121) of the portrait in the
Uffizi Gallery at Florence, variously ascribed to Andrea Mantegna
(1431-1506), to Lorenzo Costa (1460-1535), and to Francesco
Bonsignori (1455-1519).
Public-domain text, read in full here on John Shaqi.
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