The Book of the CourtierCastiglione, Baldassarre, conte
History
The Book of the Courtier
Castiglione, Baldassarre, conte
Courtesy -- Early works to 1800; Courts and courtiers -- Early works to 1800
“And therefore,” said messer Bernardo, “since such a filthy trick as
this was not offensive to the men of that time, we may believe that they
did not have so gentle a manner of serving women in love as we have. But
let us not forsake our first subject, of teaching how to keep love
secret.”
73.—Then the Magnifico said:
“In my opinion, in order to keep love secret it is needful to avoid the
causes that make it public, which are many; but there is one chief
cause, which is the wish to be too secret and not trust any person
whatever. For every lover desires to make his passion known to his
beloved, and being alone he is forced to make many more and stronger
demonstrations than if he were aided by some loving and faithful friend;
because the demonstrations that the lover himself makes arouse much
greater suspicion than those he makes through intermediaries. And since
the human mind is naturally curious to find things out, as soon as a
stranger begins to suspect, he employs such diligence that he learns the
truth, and having learned it, makes no scruple to publish it—nay,
sometimes delights to do so; which is not the case with a friend, who
besides helping with comfort and advice, often repairs those mistakes
which the blind lover commits, and always contrives secrecy and provides
for many things for which he himself cannot provide. Moreover very great
relief is felt in telling our passion and unburdening it to a trusty
friend, and likewise it greatly enhances our joys to be able to impart
them.”
74.—Then my lord Gaspar said:
“Another cause discloses love more than this.”
“And what is it?” replied the Magnifico.
My lord Gaspar continued:
“The vain ambition joined with madness and cruelty of women; who, as you
yourself have said, try to have as great a number of lovers as they can,
and if it were possible would have all of these burn and (once made
ashes) after death return alive to die once more. And even although they
be in love, still they delight in their lover’s torment, because they
think that pain and afflictions and continual calling for death give
good proof that they are loved, and can, by their beauty, make men
wretched and happy, and bestow death and life, as they please. Hence
they feed only on this food, and are so eager for it that (in order not
to be without it) they do not satisfy or ever quite dishearten their
lovers; but to keep these continually in anguish and desire, they use a
certain domineering severity of threats mingled with encouragement, and
fain would have a word, a look, a nod of theirs esteemed as highest
bliss. And to be deemed modest and chaste, not only by their lovers but
by all the rest, they take care to make their harsh and discourteous
behaviour public, to the end that everyone may think that if they thus
maltreat those who are worthy to be loved, they must treat the unworthy
much worse.
Public-domain text, read in full here on John Shaqi.
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