The Book of the CourtierCastiglione, Baldassarre, conte
History
The Book of the Courtier
Castiglione, Baldassarre, conte
Courtesy -- Early works to 1800; Courts and courtiers -- Early works to 1800
“Yes, and Alexander was a greater man than he who made the other speech.
But extraordinary men are surely to be pardoned when they assume much;
for he who has great things to do must needs have daring to do them, and
confidence in himself, and must not be abject or mean in spirit, yet
very modest in speech, showing less confidence in himself than he has,
lest his self-confidence lead to rashness.”
19.—The Count now paused a little, and messer Bernardo Bibbiena said,
laughing:
“I remember what you said earlier, that this Courtier of ours must be
endowed by nature with beauty of countenance and person, and with a
grace that shall make him so agreeable. Grace and beauty of countenance
I think I certainly possess, and this is the reason why so many ladies
are ardently in love with me, as you know; but I am rather doubtful as
to the beauty of my person, especially as regards these legs of mine,
which seem to me decidedly less well proportioned than I should wish: as
to my bust and other members however, I am quite content. Pray, now,
describe a little more in particular the sort of body that the Courtier
is to have, so that I may dismiss this doubt and set my mind at rest.”
After some laughter at this, the Count continued:
“Of a certainty that grace of countenance can be truly said to be yours,
nor need I cite further example than this to show what manner of thing
it is, for we unquestionably perceive your aspect to be most agreeable
and pleasing to everyone, albeit the lineaments of it are not very
delicate. Still it is of a manly cast and at the same time full of
grace; and this characteristic is to be found in many different types of
countenance. And of such sort I would have our Courtier’s aspect; not so
soft and effeminate as is sought by many, who not only curl their hair
and pluck their brows, but gloss their faces with all those arts
employed by the most wanton and unchaste women in the world; and in
their walk, posture and every act, they seem so limp and languid that
their limbs are like to fall apart; and they pronounce their words so
mournfully that they appear about to expire upon the spot: and the more
they find themselves with men of rank, the more they affect such tricks.
Since nature has not made them women, as they seem to wish to appear and
be, they should be treated not as good women but as public harlots, and
driven not merely from the courts of great lords but from the society of
honest men.
Public-domain text, read in full here on John Shaqi.
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