The Book of the CourtierCastiglione, Baldassarre, conte
History
The Book of the Courtier
Castiglione, Baldassarre, conte
Courtesy -- Early works to 1800; Courts and courtiers -- Early works to 1800
“So I think that what is chiefly important and necessary for the
Courtier, in order to speak and write well, is knowledge; for he who is
ignorant and has nothing in his mind that merits being heard, can
neither say it nor write it.
“Next he must arrange in good order what he has to say or write; then
express it well in words, which (if I do not err) ought to be precise,
choice, rich and rightly formed, but above all, in use even among the
masses; because such words as these make the grandeur and pomp of
speech, if the speaker has good sense and carefulness, and knows how to
choose the words most expressive of his meaning, and to exalt them, to
mould them like wax to his will, and to arrange them in such position
and order that they shall at a glance show and make known their dignity
and splendour, like pictures placed in good and proper light.
“And this I say as well of writing as of speaking: in which however some
things are required that are not needful in writing,—such as a good
voice, not too thin and soft like a woman’s, nor yet so stern and rough
as to smack of the rustic’s,—but sonorous, clear, sweet and well
sounding, with distinct enunciation, and with proper bearing and
gestures; which I think consist in certain movements of the whole body,
not affected or violent, but tempered by a calm face and with a play of
the eyes that shall give an effect of grace, accord with the words, and
as far as possible express also, together with the gestures, the
speaker’s intent and feeling.
“But all these things would be vain and of small moment, if the thoughts
expressed by the words were not beautiful, ingenious, acute, elegant and
grave,—according to the need.”
34.—Then my lord Morello said:
“If this Courtier speaks with so much elegance and grace, I doubt if
anyone will be found among us who will understand him.”
“Nay, he will be understood by everyone,” replied the Count, “because
facility is no impediment to elegance.
“Nor would I have him speak always of grave matters, but of amusing
things, of games, jests and waggery, according to the occasion; but
sensibly of everything, and with readiness and lucid fullness; and in no
place let him show vanity or childish folly. And again when he is
speaking on an obscure or difficult subject, I would have him carefully
explain his meaning with precision of both word and thought, and make
every ambiguity clear and plain with a certain touch of unpedantic care.
Likewise, where there is occasion, let him know how to speak with
dignity and force, to arouse those emotions that are part of our nature,
and to kindle them or to move them according to the need. Sometimes,
with that simple candour that makes it seem as if nature herself were
speaking, let him know how to soften them, and as it were to intoxicate
them with sweetness, and so easily withal that the listener shall think
that with very little effort he too could reach that excellence, and
when he tries, shall find himself very far behind.
Public-domain text, read in full here on John Shaqi.
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