The Book of the CourtierCastiglione, Baldassarre, conte
History
The Book of the Courtier
Castiglione, Baldassarre, conte
Courtesy -- Early works to 1800; Courts and courtiers -- Early works to 1800
“It would be far more courteous for you to keep to your discussion, and
tell us of what grace is born, and talk about Courtiership,—than to try
to unveil the weaknesses of women, which are not to the purpose.”
“Nay, much to the purpose,” replied the Count: “for these weaknesses of
yours I am speaking of, deprive you of grace because they spring from
nothing but affectation, wherein you openly make known to everyone your
over-eagerness to be beautiful.
“Do you not see how much more grace a lady has who paints (if at all) so
sparingly and so little, that whoever sees her is in doubt whether she
be painted or not; than another lady so plastered that she seems to have
put a mask upon her face and dares not laugh for fear of cracking it,
nor ever changes colour but when she dresses in the morning, and then
stands motionless all the rest of the day like a wooden image, showing
herself only by candle-light, like wily merchants who display their
cloths in a dark place? Again, how much more pleasing than all others is
one (I mean not ill-favoured) who is plainly seen to have nothing on her
face, although it be neither very white nor very red, but by nature a
little pale and sometimes tinged with an honest flush from shame or
other accident,—with hair artlessly unadorned and hardly confined, her
gestures simple and free, without showing care or wish to be beautiful!
This is that nonchalant simplicity most pleasing to the eyes and minds
of men, who are ever fearful of being deceived by art.
“Beautiful teeth are very charming in a woman, for since they are not so
much in view as the face is, but lie hidden most of the time, we may
believe that less care is taken to make them beautiful than with the
face. Yet if one were to laugh without cause and solely to display the
teeth, he would betray his art, and however beautiful they were, would
seem most ungraceful to all, like Catullus’s Egnatius.[110] It is the
same with the hands; which, if they are delicate and beautiful, and
occasionally left bare when there is need to use them, and not in order
to display their beauty, they leave a very great desire to see more of
them, and especially if covered with gloves again; for whoever covers
them seems to have little care or thought whether they be seen or not,
and to have them thus beautiful more by nature than by any effort or
pains.
“Have you ever noticed when a woman, in passing through the street to
church or elsewhere, thoughtlessly happens (either in frolic or from
other cause) to lift her dress high enough to show the foot and often a
little of the leg? Does this not seem to you full of grace, when you see
her tricked out with a touch of feminine daintiness in velvet shoes and
neat stockings? I for one delight in it and believe you all do, for
everyone is persuaded that elegance, in matters thus hidden and rarely
seen, is natural and instinctive to the lady rather than forced, and
that she does not think to win any praise by it.
Public-domain text, read in full here on John Shaqi.
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