The Book of the CourtierCastiglione, Baldassarre, conte
History
The Book of the Courtier
Castiglione, Baldassarre, conte
Courtesy -- Early works to 1800; Courts and courtiers -- Early works to 1800
“The game of tennis also is nearly always played in public, and is one
of those sports to which a crowd lends much distinction. Therefore I
would have our Courtier practise this, and all the others except the
handling of arms, as something that is not his profession, and let him
show that he does not seek or expect praise for it, nor let him seem to
devote much care or time to it, although he may do it admirably. Nor let
him be like some men who delight in music, and in speaking with anyone
always begin to sing under their breath whenever there is a pause in the
conversation. Others always go dancing as they pass through streets and
churches. Others, when they meet a friend in the piazza or anywhere
else, at once put themselves in posture as if for fencing or wrestling,
according to their favourite humour.”
Here messer Cesare Gonzaga said:
“A young cardinal we have in Rome does better than that; for out of
pride in his fine bodily frame, he conducts into his garden all who come
to visit him (even although he has never seen them before), and urgently
presses them to strip to the doublet and try a turn with him at
leaping.”
11.—Messer Federico laughed; then he went on:
“There are certain other exercises that can be practised in public and
in private, like dancing; and in this I think the Courtier ought to have
a care, for when dancing in the presence of many and in a place full of
people, it seems to me that he should preserve a certain dignity, albeit
tempered with a lithe and airy grace of movement; and although he may
feel himself to be very nimble and a master of time and measure, let him
not attempt those agilities of foot and double steps which we find very
becoming in our friend Barletta, but which perhaps would be little
suited to a gentleman. Yet in a room privately, as we are now, I think
he may try both, and may dance morris-dances and brawls;[154] but not in
public unless he be masked, when it is not displeasing even though he be
recognized by all.
“Indeed there is no better way of displaying oneself in such matters at
public sports, either armed or unarmed; because disguise carries with it
a certain freedom and licence, which among other things enable a man to
choose a part for which he feels himself qualified, and to use care and
elaboration upon the chief point of the thing wherein he would display
himself, and a certain nonchalance as to that which does not
count,—which greatly enhances the charm: as for a youth to array himself
like an old man, yet in easy dress so as to be able to show his vigour;
a cavalier in the guise of a rustic shepherd or some other like costume,
but with a perfect horse and gracefully bedecked in character;—because
the mind of the spectators is quick to fill out the image of that which
is presented to the eyes at first glance; and then seeing the thing turn
out much better than the costume promised, they are amused and
delighted.
Public-domain text, read in full here on John Shaqi.
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