The Book of the CourtierCastiglione, Baldassarre, conte
History
The Book of the Courtier
Castiglione, Baldassarre, conte
Courtesy -- Early works to 1800; Courts and courtiers -- Early works to 1800
“I regard as beautiful music, to sing well by note, with ease and in
beautiful style; but as even far more beautiful, to sing to the
accompaniment of the viol,[156] because nearly all the sweetness lies in
the solo part, and we note and observe the fine manner and the melody
with much greater attention when our ears are not occupied with more
than a single voice, and moreover every little fault is more clearly
discerned,—which is not the case when several sing together, because
each singer helps his neighbour. But above all, singing to the viol by
way of recitative seems to me most delightful, which adds to the words a
charm and grace that are very admirable.
[Illustration]
ELISABET DE GONZAGA FELTRIA
“My Lady Duchess”
EMILIA
“My Lady Emilia”
MARGARITA DE GONZAGA
“Madonna Margarita”
FRANC^O M^A
“My Lord Prefect”
JULIANO DE MEDICI
“My Lord Magnifico”
AUTOGRAPH SIGNATURES OF INTERLOCUTORS
From negatives, made by Premi and by Signor Lanzoni, from originals
preserved in the Royal State Archives at Mantua and selected by the
Director, Signor Alessandro Luzio.
“All keyed instruments also are pleasing to the ear, because they
produce very perfect consonances, and upon them one can play many things
that fill the mind with musical delight. And not less charming is the
music of the stringed quartet, which is most sweet and exquisite. The
human voice lends much ornament and grace to all these instruments, with
which I would have our Courtier at least to some degree acquainted,
albeit the more he excels with them, the better,—without troubling
himself much with those that Minerva forbade to Alcibiades, because it
seems that they are ungraceful.[157]
“Then, as to the time for enjoying these various kinds of music, I think
it is whenever a man finds himself in familiar and beloved companionship
and there are not other occupations. But above all it is fitting where
ladies are present, because their aspect fills the listener’s heart with
sweetness, renders it more sensitive to the tenderness of the music, and
quickens the musician’s soul.
Public-domain text, read in full here on John Shaqi.
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