The Book of the CourtierCastiglione, Baldassarre, conte
History
The Book of the Courtier
Castiglione, Baldassarre, conte
Courtesy -- Early works to 1800; Courts and courtiers -- Early works to 1800
“As I have already said, it pleases me well that we should avoid the
crowd, and especially the ignoble crowd. But discretion must needs be
the spice of everything, for it would be quite impossible to foresee all
the cases that occur; and if the Courtier rightly understands himself,
he will adapt himself to the occasion and will perceive when the minds
of his hearers are disposed to listen and when not. He will take his own
age into account: for it is indeed unseemly and unlovely in the extreme
to see a man of any quality,—old, hoary and toothless, full of
wrinkles,—playing on a viol and singing in the midst of a company of
ladies, even though he be a passable performer. And the reason of this
is that in singing the words are usually amourous, and love is a
ridiculous thing in old men,—albeit it is sometimes pleased among its
other miracles to kindle frozen hearts in spite of years.”
14.—Then the Magnifico replied:
“Do not deprive old men of this pleasure, messer Federico; for in my
time I have known old men who had right perfect voices and hands very
dexterous upon their instruments, far more than some young men.”
“I do not wish,” said messer Federico, “to deprive old men of this
pleasure, but I do wish to deprive you and these ladies of the pleasure
of laughing at such folly. And if old men wish to sing to the viol, let
them do so in secret and only to drive from their minds those painful
thoughts and grievous troubles with which our life is filled, and to
taste that rapture which I believe Pythagoras and Socrates found in
music.[158] And even although they practise it not, by somewhat
accustoming their minds to it they will enjoy it far more when they hear
it than a man who knows nothing of it. For just as the arms of a smith,
who is weak in his other members, become stronger by exercise than those
of another man who is more robust but unaccustomed to use his arms,—in
like manner ears practised in harmony will perceive it better and more
speedily and will appreciate it with far greater pleasure, than others,
however good and sharp they be, that are not versed in the varieties of
musical consonance; because these modulations do not penetrate ears
unused to hearing them, but pass aside without leaving any savour of
themselves; albeit even the beasts have some enjoyment in melody.
“This then is the pleasure it is fitting old men should take in music. I
say the like of dancing, for in truth we ought to give up these
exercises before our age forces us to give them up against our will.”
Here my lord Morello replied with a little heat:
“So it is better to exclude all old men, and to say that only young men
have a right to be called Courtiers.”
Then messer Federico laughed, and said:
“You see, my lord Morello, that they who like these things strive to
seem young when they are not, and hence they dye their hair and shave
twice a week.[159] And this is because nature silently tells them that
such things are proper only to the young.”
Public-domain text, read in full here on John Shaqi.
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