The Book of the Epic: The World's Great Epics Told in StoryGuerber, H. A. (Hélène Adeline)
General
The Book of the Epic: The World's Great Epics Told in Story
Guerber, H. A. (Hélène Adeline)
Epic poetry -- Adaptations
So it is to such sources as these race-narratives that all
story-telling must come for recurrent inspirations. The setting of
each new story may be tinged with what wild or sophisticated life
soever, yet must the narrator find the big, heart-swelling movements
and passions and thraldoms and conquests and sufferings and elations
of mankind stored in the great epics of the world.
It were a life-labor to become familiar with all of these in their
expressive originals; even in translation it would be a titanic task
to read each one. Therefore how great is our indebtedness to the ripe
scholarship and discreet choice of the author of this "Book of the
Epic" for having brought to us not only the arguments but the very
spirit and flavor of all this noble array. The task has never before
been essayed, and certainly, now that it has been done for the first
time, it is good to know that it has been done surpassingly well.
To find the original story-expression of a nation's myths, its
legends, and its heroic creations is a high joy--a face-to-face
interview with any great first-thing is a big experience; but to come
upon whole scores of undefiled fountains is like multiplying the
Pierian waters.
Even as all the epics herein collected in scenario were epoch-making,
so will the gathering of these side by side prove to be. Literary
judgments must be comparative, and now we may place each epic in
direct comparison with any other, with a resultant light, both
diffused and concentrated, for the benefit of both critics and the
general reader.
The delights of conversation--so nearly, alas, a lost art!--consist
chiefly in the exchange of varied views on single topics. So, when we
note how the few primal story-themes and plot developments of all time
were handled by those who first told the tales in literate form, the
satisfaction is proportionate.
One final word must be said regarding the interest of epical material.
Heretofore a knowledge of the epics--save only a few of the better
known--has been confined to scholars, or, at most, students; but it
may well be hoped that the wide perusal of this book may serve to show
to the general reader how fascinating a store of fiction may be found
in epics which have up till now been known to him only by name.
J. Berg Esenwein
CONTENTS
Introduction by J. Berg Esenwein
Foreword
Greek Epics
The Iliad
The Odyssey
Latin Epics
The Aeneid
French Epics
The Song of Roland
Aucassin and Nicolette
Spanish Epics
The Cid
Portuguese Epics
The Lusiad
Italian Epics
Divine Comedy
The Inferno
Purgatory
Paradise
The Orlandos
Gerusalemme Liberata, or Jerusalem Delivered
Epics of the British Isles
Beowulf
The Arthurian Cycle
Robin Hood
The Faerie Queene
Paradise Lost
Paradise Regained
German Epics
The Nibelungenlied
Story of the Holy Grail
Epics of the Netherlands
Public-domain text, read in full here on John Shaqi.
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