Close boots reaching nearly to the knee where they are met by a wide trowser, are not uncommon upon these sculptures, being precisely the same in shape and appearance as those worn by the modern Cossacks. Indeed, there is nothing in the way of boots that may not be found upon the existing monuments of early nations, precisely resembling the modern ones. The little figure here given might pass for a copy of the boots worn by one of the soldiers of King William the Third’s army, and would not be unworthy of uncle Toby himself, yet it is carefully copied from a most ancient specimen of Etruscan sculpture, in the possession of Inghirami, who has engraved it in his learned work the “Monumenti Etruschi;” the original represents an augur, or priest, whose chief duty was to report and explain supernatural signs. With the ancient Greeks and Romans, the coverings for the feet assumed their most elegant forms; yet in no instance does the comfort of the wearer appear to have been sacrificed, or the natural play of the foot interfered with--_that_ appears to have been especially reserved for “march-of-intellect” days. Vegetable sandals, termed Baxa, or Baxea, were worn by the lower classes, and as a symbol of their humility, by the philosophers and priests. Apuleius describes a young priest as wearing sandals of palm; they were no doubt similar in construction to the Egyptian ones, of which we have already given specimens, and which were part of the required and characteristic dress of the Egyptian priesthood. Such vegetable sandals were, however, occasionally decorated with ornaments to a considerable extent, and they then became expensive. The making of them in all their variety, was the business of a class of men called Baxearii; and these with the Solearii (or makers of the simplest kind of sandal worn, consisting of a sole with little more to fasten it to the foot than a strap across the instep) constituted a corporation or college of Rome.