The Book of the Homeless (Le livre des sans-foyer)
History
The Book of the Homeless (Le livre des sans-foyer)
World War, 1914-1918
good, to some other descriptive sign for it. That sign, however,
fortunately presents itself with inordinate promptitude and fits to its
innocent head with the last perfection the cap, in fact the very crown,
of an office that we can only appraise as predetermined goodnature. We
after this fashion score our very highest on behalf of a conclusion, I
think, in feeling that whether or no the British warrior’s goodnature
has much range of fancy, his imagination, whatever there may be of it,
is at least so goodnatured as to show absolutely everything it touches,
everything without exception, even the worst machinations of the enemy,
in that colour. Variety and diversity of exhibition, in a world
virtually divided as now into hospitals and the preparation of subjects
for them, are, I accordingly conceive, to be looked for quite away from
the question of physical patience, of the general consent to suffering
and mutilation, and, instead of that, in this connection of the sort of
mind and thought, the sort of moral attitude, that are born of the
sufferer’s other relations; which I like to think of as being different
from country to country, from class to class, and as having their
fullest national and circumstantial play.
It would be of the essence of these remarks, could I give them within my
space all the particular applications naturally awaiting them,
that they pretend to refer here to the British private soldier
only--generalisation about his officers would take us so considerably
further and so much enlarge our view. The high average of the beauty and
modesty of these, in the stricken state, causes them to affect me, I
frankly confess, as probably the very flower of the human race. One’s
apprehension of “Tommy”--and I scarce know whether more to dislike the
liberty this mode of reference takes with him, or to incline to retain
it for the tenderness really latent in it--is in itself a theme for fine
notation, but it has brought me thus only to the door of the boundless
hospital ward in which, these many months, I have seen the successive
and the so strangely quiet tides of his presence ebb and flow, and it
stays me there before the incalculable vista. The perspective stretches
away, in its mild order, after the fashion of a tunnel boring into the
very character of the people, and so going on forever--never arriving or
coming out, that is, at anything in the nature of a station, a junction
or a terminus. So it draws off through the infinite of the common
personal life, but planted and bordered, all along its passage, with the
thick-growing flower of the individual illustration, this sometimes
vivid enough and sometimes pathetically pale. The great fact, to my now
so informed vision, is that it undiscourageably continues and that an
unceasing repetition of its testifying particulars seems never either to
exhaust its sense or to satisfy that of the beholder. Its sense indeed,
if I may so far simplify, is pretty well always the same, that of the
Public-domain text, read in full here on John Shaqi.
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