The Book of the National ParksYard, Robert Sterling
History
The Book of the National Parks
Yard, Robert Sterling
National parks and reserves -- United States
Love of beauty is practically a universal passion. It is that which
lures millions into the fields, valleys, woods, and mountains on every
holiday, which crowds our ocean lanes and railroads. The fact that few
of these rejoicing millions are aware of their own motive, and that,
strangely enough, a few even would be ashamed to make the admission if
they became aware of it, has nothing to do with the fact. It's a wise
man that knows his own motives. The fact that still fewer, whether
aware or not of the reason of their happiness, are capable of making the
least expression of it, also has nothing to do with the fact. The
tourist woman whom I met at the foot of Yosemite Falls may have felt
secretly suffocated by the filmy grandeur of the incomparable spectacle,
notwithstanding that she was conscious of no higher emotion than the
cheap wonder of a superlative. The Grand Canyon's rim is the stillest
crowded place I know. I've stood among a hundred people on a precipice
and heard the whir of a bird's wings in the abyss. Probably the majority
of those silent gazers were suffering something akin to pain at their
inability to give vent to the emotions bursting within them.
I believe that the statement can not be successfully challenged that, as
a people, our enjoyment of scenery is almost wholly emotional. Love of
beauty spiced by wonder is the equipment for enjoyment of the average
intelligent traveller of to-day. Now add to this a more or less equal
part of the intellectual pleasure of comprehension and you have the
equipment of the average intelligent traveller of to-morrow. To hasten
this to-morrow is one of the several objects of this book.
To see in the carved and colorful depths of the Grand Canyon not only
the stupendous abyss whose terrible beauty grips the soul, but also
to-day's chapter in a thrilling story of creation whose beginning lay
untold centuries back in the ages, whose scene covers three hundred
thousand square miles of our wonderful southwest, whose actors include
the greatest forces of nature, whose tremendous episodes shame the
imagination of Dore, and whose logical end invites suggestions before
which finite minds shrink--this is to come into the presence of the
great spectacle properly equipped for its enjoyment. But how many who
see the Grand Canyon get more out of it than merely the beauty that
grips the soul?
So it is throughout the world of scenery. The geologic story written on
the cliffs of Crater Lake is more stupendous even than the glory of its
indigo bowl. The war of titanic forces described in simple language on
the rocks of Glacier National Park is unexcelled in sublimity in the
history of mankind. The story of Yellowstone's making multiplies many
times the thrill occasioned by its world-famed spectacle. Even the
simplest and smallest rock details often tell thrilling incidents of
prehistoric tunes out of which the enlightened imagination reconstructs
the romances and the tragedies of earth's earlier days.
Public-domain text, read in full here on John Shaqi.
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