Suppose, then, that we are on a big transatlantic steamer approaching
the United States from Europe.... Having secured his pilot, it is the
captain’s next aim to make a “land-fall”—that is to say, he wishes to
come in sight of some well-known object on shore, which, being marked
down on his chart, will show him just where he is and how he must
steer to find the entrance to the harbor.
A special lighthouse is usually the object sought, and in approaching
New York harbor it is customary for steamers from Europe to first
find, or sight, Fire Island Lighthouse. This is on a sandy island
near the coast of Long Island. When, therefore, the liner steams
in sight of Fire Island Light she hoists two signals, one of which
tells her name and the other the welfare of those on board. The
operator then telegraphs to the ship’s agents in New York that she
has been sighted, and that all on board are well or otherwise. [Other
despatches go to the newspapers, who have observing stations and
telegraph arrangements here and at Sandy Hook.]
[Illustration: DAY-MARKS IN NEW YORK HARBOR.]
The ship’s course is then laid to reach the most prominent object at
the harbor entrance, in this case Sandy Hook Lightship. She is easily
recognized. The course from this lightship to the harbor entrance
is laid down on the chart “west-northwest, one quarter west,” and,
steering this course, a group of three buoys is reached. One is
a large “nun,” or cone-shaped, buoy, painted black and white in
vertical stripes; another has a triangular framework built on it, and
in the top of this framework is a bell which tolls mournfully as the
buoy is rocked; while the third is surmounted by a big whistle....
These mark the point where ocean ends and harbor begins, and can be
found in fair weather or in fog by their color and shape, or noise.
They are the mid-channel buoys at the entrance to Gedney Channel, the
deep-water entrance to New York harbor. Here it may be noted that
mid-channel buoys in all harbors in the United States are painted
black and white in vertical stripes, and, being in mid-channel,
should be passed close to by all deep-draft vessels. At this point
the pilot takes charge.
Ahead the water seems now to be dotted in the most indiscriminate
manner with buoys and beacons, and on the shores around the harbor,
far and near, there seem to be almost a dozen lighthouses. If,
however, you watch the buoys as the pilot steers the ship between
them, you will soon see that all those passed on the right-hand side
are _red_, and all on the left are _black_. Where more than one
channel runs through the same harbor, the different channels are
marked by buoys of different shapes. Principal channels are marked by
“nun” buoys, secondary channels by “can” buoys, and minor channels by
“spar” buoys.
[Illustration: NUN BUOYS.]
[Illustration: CAN BUOYS.]
[Illustration: SPAR BUOYS.]
Public-domain text, read in full here on John Shaqi.
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