Masts have their proper names: the tallest is in the middle of the
vessel, and is called the _mainmast_; the next tallest stands in front
of it, and is the _foremast_; and the third is in the stern, and is
named _mizzenmast_, because it carries the mizzen (sail). All the
rigging, except that belonging to the bowsprit, is repeated for each
mast, and each piece is named with reference to the mast or part of the
mast or appropriate sail to which it belongs: as, for example, main
shrouds, fore shrouds, mizzen shrouds, mizzen-royal, maintopsail yard,
foretopmast studdingsail downhaul, and so on. In a proper full-rigged
ship all the sails upon the masts, except the spanker, are square,
and are named from the sections of the mast opposite which they hang.
Counting from the deck to the truck, or tiptop of the mast, they are
as follows: on the mainmast, mainsail or maincourse, maintopsail,
maintopgallant-sail, mainroyal, and skysail; on the foremast, foresail
or forecourse, foretopsail, foretopgallant, foreroyal, and skysail;
on the mizzenmast, cross-jack (and behind it the spanker, mizzen, or
driver), mizzentopsail, mizzentopgallant, mizzen-royal, and skysail.
The bowsprit sails are the forestaysail, foretopmast staysail, jib,
flying jib, and outer jib, or jibstaysail. Each of the stays running
diagonally from mast to mast bears a triangular sail known by the name
of the particular stay on which it hangs, as maintopmast staysail, and
so on—nine in all. In addition to all this, a little sail is sometimes
set above the skysail, and another under the bowsprit, while out
beyond the ends of the yards are often extended light additional spars
carrying studdingsails. In favorable weather, when the captain wishes
to “crowd all on,” as sometimes can be done for days and weeks together
before the trades, almost forty sails may be spread, and the ship moves
grandly along under a swaying cloud of canvas that reaches far beyond
her rails on each side, and towers more than one hundred feet into the
steady air.
Public-domain text, read in full here on John Shaqi.
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