J. P. Rossignol, following the opinion of the symbolists and mysticists, as the Baron de Saint Croix,[243] Creuzer, Freret, and Lobechs,[244] assigns a Divine origin—after the fashion of the day—to metallurgy, making it resemble in this point Creation, articulate language,[245] and the discovery of corn and wine. So he understands the θεολογούμενα (subjects of a theological nature) alluded to by Strabo (x. 3, § 7). It is the old hypothesis of supernatural agency in purely natural matters, a kind of luxus-wonder, as the Germans call useless miracles, which had waxed stale, even in the days of Horace—‘parcus Deorum cultor et infrequens.’ He considers the Curetes and Corybantes, the Cabiri (Kabeiroi) of Lemnos and Imbros, and the Idæi Dactyli of Crete, the Telchines of Rhodes, and the Sinties, Sinti, or Saii of Thrace (Strabo, xii. 3, § 20) as metallurgic δαίμονες, or genii prisoned in human form, and typifying the successive steps of the art. In these days we hardly admit the _intersit_ of a deity when human nature suffices to loose the knot; nor do we believe that our kind began by worshipping types. Man has always worshipped one thing, himself, and himself only, either in the flesh or in the ghost—that is, in the non-flesh or the objective nothing—till he arrived at the transcendental Man, the superlative, the ideal of Himself. [Heading: _THE GOD-SMITHS._] How little of fact is known about the mysterious tribes above mentioned becomes evident by a glance at the classics. All six are supposed to be Asiatics, worshippers of Rhea (the earth), the great mother of the gods and queen of the metal workers. Yet Strabo explains Curetes from Greek terms κόροι (boys), κόραι (girls), κουρά (tonsure), and κουροτροφεῖν (to bring up the Boy, i.e. Jupiter). Similarly their brethren, the nine Corybantes, were termed from their dancing gait and negro-like butting with the head, κορύπτοντας. They inhabited Samothrace (Samothracia alta): this venerable and holy island, in hoar antiquity a general rendezvous of freemasonry, or rather of free-smithery, forms a triangle with metallic Thasos and with volcanic Lemnos.