The three or four Cabiri[246] bear a Semitic name, Kabir = the great or the old. They seem at first to have represented Ptah-Sokar-Osiris,[247] and Herodotus (iii. 37) mentions their temple at Memphis. They became in Phœnicia the earliest boatmen or primordial shipbuilders, identified by some with the Sesennu or Egyptian Octonary; by others with the seven planets or the stars of Typho, our Great Bear;[248] and by others, again, with the seven Khnemu (gnomes) or pygmy-sons who waited upon their father Ptah-Vulcan. They inhabited Lemnos, where Hephæstus, when expelled, like Adam, from the lowest heaven, took refuge among the Pelasgi (Diod. Sic. lib. v.): hence the latter preserved their worship. Damascius (‘Life of Isidorus’) says: ‘The Asclepius of Berytus is neither Greek nor Egyptian, but of Phœnician origin; for (seven) sons were born to Sadyk, called Dioscuri and Cabiri, and the eighth of them was Esman (i.e. Octavius, No. 8), who is interpreted Asclepius.’[249] The Idæan Dactyli (fingers or toes) who occupied ‘fountful Ide’[250] consisted of five brothers, representing the _dextra_ or lucky hand (science, art), and five sisters for the _sinistra_ or unlucky (witchcraft, ill omens). The names of these ‘hands’ (iron-workers) were Kelmis (fire or heat = the smelter), Damnameneus (the hammer, or who governs by strength, Thor), Hercules (force, animal or mental), and Akmon (the anvil or passive principle). Hence Pyracmon the Cyclop, one of the seven architect brothers who, according to Strabo (viii. 6), came from Lycia and built the ‘Cyclopean Wall’ in the Argolid. These Cyclopes[251] (monocular giants) worked metal, and under their magic hands, Fluit æs rivis aurique metallum; Vulnificusque chalybs vasta fornice liquescit. By later writers, the Cyclopes, who ... Stridentia tingunt Æra lacu (_Æn._ viii. 445, _Georg._ iv. 172), were held to be Sicilians. The Telchines (fascinators, from θέλγειν, to charm) are mentioned as metallurgists by Stesichorus the Sicilian (nat. B.C. 632): they were the sons of Thalassa, i.e. they came from beyond the sea; they colonised Telchinis, and they made arms and statues of the gods like the Dædalides or artist families of later Athens. The Sinties (plunderers) from τὸ σίνεσθαι (to pill), who, according to Hellenicus of Lesbos (nat. B.C. 496), were pirates besides being coppersmiths (χαλκυές), and who were eventually murdered by their wives, represented the ancient Lemnians. So Homer (‘Od.’ viii. 290) speaks of the ‘barbarous Sintian men’ who received Vulcan when kicked out of Paradise. A modern school of Tsiganologues would identify them with prehistoric Gypsies, who have still a tribe called Sindi; but this theory would bring the arts from India westwards, whereas the current flowed the clean contrary way. Finally, Herodotus (i. 28), initiated in the mysteries, makes the Chalybes[252] or iron-workers, neighbours (and congeners?) of the Phrygians.