The Book of the Thousand Nights and a Night — Volume 01 (of 10)
General
The Book of the Thousand Nights and a Night — Volume 01 (of 10)
Fairy tales; Tales -- Arab countries
And now to consider one matter of special importance in the book—its
_turpiloquium_. This stumbling-block is of two kinds, completely
distinct. One is the simple, naïve and child like indecency which, from
Tangiers to Japan, occurs throughout general conversation of high and
low in the present day. It uses, like the holy books of the Hebrews,
expressions "plainly descriptive of natural situations;" and it treats
in an unconventionally free and naked manner of subjects and matters
which are usually, by common consent, left undescribed. As Sir William
Jones observed long ago, "that anything natural can be offensively
obscene never seems to have occurred to the Indians or to their
legislators; a singularity (?) pervading their writings and
conversation, but no proof of moral depravity." Another justly
observes, _Les peuples primitifs n'y entendent pas malice: ils
appellent les choses par leurs noms et ne trouvent pas condamnable ce
qui est naturel_. And they are prying as children. For instance the
European novelist marries off his hero and heroine and leaves them to
consummate marriage in privacy; even Tom Jones has the decency to bolt
the door. But the Eastern story teller, especially this unknown "prose
Shakespeare," must usher you, with a flourish, into the bridal chamber
and narrate to you, with infinite gusto, everything he sees and hears.
Again we must remember that grossness and indecency, in fact _les
turpitudes_, are matters of time and place; what is offensive in
England is not so in Egypt; what scandalises us now would have been a
tame joke _tempore Elisæ_. Withal The Nights will not be found in this
matter coarser than many passages of Shakespeare, Sterne, and Swift,
and their uncleanness rarely attains the perfection of Alcofribas
Nasier, "divin maître et atroce cochon." The other element is absolute
obscenity, sometimes, but not always, tempered by wit, humour and
drollery; here we have an exaggeration of Petronius Arbiter, the
handiwork of writers whose ancestry, the most religious and the most
debauched of mankind, practised every abomination before the shrine of
the Canopic Gods.
Public-domain text, read in full here on John Shaqi.
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