The Book of the Thousand Nights and a Night — Volume 01 (of 10)
General
The Book of the Thousand Nights and a Night — Volume 01 (of 10)
Fairy tales -- Arab countries; Folklore -- Arab countries
Arab. "Ahdab," the common hunchback: in classical language the Gobbo
in the text would be termed "Ak'as" from "Ka'as," one with protruding
back and breast; sometimes used for hollow back and protruding
breast.
Footnote 405:
This is the custom with such gentry, who, when they see a likely man
sitting, are allowed by custom to ride astraddle upon his knees with
most suggestive movements, till he buys them off. These Ghawází are
mostly Gypsies who pretend to be Moslems; and they have been confused
with the Almahs or Moslem dancing-girls proper (Awálim, plur. of
Alimah, a learned feminine) by a host of travellers. They call
themselves Barámikah or Barmecides only to affect Persian origin.
Under native rule they were perpetually being banished from and
returning to Cairo (Pilgrimage i., 202). Lane (M. E., chapts. xviii.
and xix.) discusses the subject, and would derive Al'mah, often so
pronounced, from Heb. Almah, girl, virgin, singing girl, hence he
would translate Al-Alamoth shir (Psalm xlvi.) and Nebalim al-alamoth
(1 Chron., xv. 20) by a "song for singing-girls" and "harps for
singing-girls." He quotes also St. Jerome as authority that Alma in
Punic (Phœnician) signified a virgin, not a common article, I may
observe, amongst singing-girls. I shall notice in a future page
Burckhardt's description of the Ghawazi, p. 173, "Arabic Proverbs;"
etc., etc. Second Edition. London: Quaritch, 1875.
Footnote 406:
I need hardly describe the Tarbúsh, a corruption of the Pers.
"Sar-púsh" (head-cover) also called "Fez," from its old home; and
"Tarbrush" by the travelling Briton. In old days it was a calotte
worn under the turban; and it was protected from scalp-perspiration
by an "Arakiyah" (Pers. Arak-chín), a white skull-cap. Now it is worn
without either and as a head-dress nothing can be worse (Pilgrimage
ii. 275.)
Footnote 407:
Arab. "Tár.": the custom still prevails. Lane (M. E., chapt. xviii.)
describes and figures this hoop-drum.
Footnote 408:
The couch on which she sits while being displayed. It is her throne,
for she is the Queen of the occasion, with all the Majesty of
Virginity.
Footnote 409:
This is a solemn "chaff;" such liberties being permitted at weddings
and festive occasions.
Footnote 410:
Public-domain text, read in full here on John Shaqi.
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