“Topiary Work fell into disrepute in the nineteenth century, owing
to the persistence with which the more natural styles of gardening
came to the front, but even now this phase of ‘gardening’ exercises
a considerable fascination upon a large section of the public;
witness the interest excited of late years by the exhibits of
trimmed trees which have appeared at the London shows.”—_Walter P.
Wright._
Notwithstanding the wonderful alteration and improvement that have taken
place in British gardens since Kent began to make a clearance of Topiary
work, several notable collections survived the general slaughter and
these are to-day among the most interesting of the varied forms of
gardening seen in the country. The gardens at Levens Hall and at
Elvaston Castle may be especially particularised in this connection, but
for the moment we will deal with the revival rather than the survival of
the art.
During the past twenty years the practice of including at least a few
specimens of clipped trees in any new garden of pretensions has been
steadily growing, and within the last ten years several Topiary gardens
of considerable extent have been laid out and planted. These are chiefly
in the large establishments of the wealthy patrons of horticulture, and
they are so situated that they are in harmony with formal surroundings,
or disposed where they form a distinct item of horticultural interest
and do not in any way mar the more natural beauties of adjacent
subjects.
[Illustration:
HENS, DUCKS, PEACOCKS, ETC., IN BOX AND YEW AT J. CHEAL AND SONS,
CRAWLEY
]
Precisely why there has been a revival of this old art I am not prepared
to say. It must suffice that there is such a revival, and a very
distinct one, as any one who visits gardens and exhibitions and
nurseries frequently will readily discover. At the leading London and
provincial exhibitions two old established firms of nurserymen have
frequently and extensively exhibited examples of Topiary; these are
Messrs Wm. Cutbush & Son, Highgate, N., and Messrs J. Cheal & Sons,
Crawley, Sussex; and it may be safely asserted that if there were no
taste or demand for clipped trees the respective proprietors would not
incur the necessarily heavy expense of displaying this particular line
of goods.
Public-domain text, read in full here on John Shaqi.
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