The mainstay of the Mohra panic was the sudden belief--propagated by
the children themselves--that some hundreds of them had been brought
under the power of the Devil by local witches. The whole community
took the alarm, the Government was appealed to, and a Royal Commission
embodied to investigate the charges--with sanguinary results. It
was declared that the witches instructed the children to go to the
cross-ways, and there to invoke the Devil, begging him to carry them to
the Blockula, the favourite local mountain meeting-place for Sabbaths.
Satan, in answering their prayers, appeared in many forms, the most
original being that of a man with a red beard, wearing a grey coat,
red and blue stockings, a high-crowned hat adorned with ribbons of
many colours, and preposterous garters. So attired he must have wanted
only a magic pipe to serve as double to the Pied Piper of Hamelin,
the Teutonic legend most nearly recalled by the whole circumstance.
He provided the children with mounts and anointed them with unguent
composed of the scrapings of altars and the filings of church-clocks.
Another account says that the witches accompanied the children, riding
with them to the Blockula on men's backs--the said men, upon arriving
there, being propped against the wall, fast asleep. Now and again they
preferred to ride upon posts, or goats transfixed upon spits, and they
flew through walls, chimneys, and windows without either injuring
themselves or breaking the glass and bricks.
The actual transportation of the children gave rise to many weighty
arguments. All the time they asserted they were at the Blockula, their
parents declared that they had held them asleep in their arms. It was
finally concluded that their nocturnal travels might be either in the
flesh or the spirit, according to circumstances. So firmly did many
parents credit their children's assertions that a local clergyman
determined to watch his little son throughout the night, holding him
tightly in his arms; but even this ocular demonstration did not serve
to convince the mother.
Public-domain text, read in full here on John Shaqi.
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