The witch takes a broken eggshell and smears it also with the ointment.
She goes to the bed and picks up the child, the broomstick hopping
after her across the floor. Being now ready to set out, she steps
astride the broom-handle, that holds itself aslant for her easier
mounting. She waves her hand to the attendant raven, and with a rush
that sends a spirtle of bright sparks up from the embers, she is
away--up the chimney, through the overhanging branches, through the
ragged clouds, and far on her journey under the stars. Yet, if any
should enter the witch's hut then or thereafter till the dawn, they
would find her sleeping peacefully upon the bed. The raven, having
carried their master's message, has this further duty: to take upon
himself the witch's shape until her return, lest any, finding her from
home, should scent out her errand.
The wind is from the East. The witch must steer across it, for the
Sabbath-General, as the corvine messenger has told her, is to be held
on a lonely peak of the Cevennes, in mid-France. Her task is not of
the easiest, for the gusts come fierce and sudden, and the broomstick
dips and leaps before them like a cockle-boat on a rough sea. The
witch's scanty locks and scantier clothing stream out almost at a right
angle, and once the baby in her arms raises its voice in a tiny wail
that would soften the heart of any but a servant of the Devil. Up here
the moonlight wells down unchecked, turning the clouds below into the
shifting semblance of snow mountains and lakes of silver. They open
out now and again at the wind's bidding to allow glimpses of the dark,
silent earth far down beneath.
Public-domain text, read in full here on John Shaqi.
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