of witchcraft for generations past, were imprudent, or unfortunate,
enough to live within its borders. The natural result attended their
rashness--and so earnest was the worthy Fairfax that he set the whole
proceedings down in a book, adding a minute account of the symptoms and
delusions of the invalids.
As the King has his orb and sceptre, the astrologer his spheres and
quadrant, so the witch has her insignia of office. And it is a strong
indication of her descent from the first house-wife that most of them
are domestic or familiar objects. The imp or "familiar" who attends
her may have the form of a bird or dog, but is far more often the
most domestic animal of all, the cat. Frequently it is malformed or
monstrous, in common with Satan himself and all the beings who owe him
allegiance. It may have any number of legs, several tails, or none at
all; its mewing is diabolic; it may be far above the usual stature
of its kind. Usually it is black, but is equally eligible if white
or yellow. As is a common incident of all religions, the symbol is
sometimes confused with the office, the witch and her cat exchanging
identities. Thus witches have confessed under torture to have formerly
been cats, and to owe their human shape to Satan's interference with
natural laws. A piebald cat is said to become a witch if it live for
nine years, and the witch, when upon a nefarious errand, frequently
assumes a feline shape.
A characteristic of the witch, in common with demons and imps in
general, is that she does everything contrary to the tastes and customs
of good Christians. With the one steady exception of the cat, she
most esteems animals repellent to the ordinary person, to women in
particular, and her imps may appear as rats or mice, usually tailless,
spiders, fleas, nits, flies, toads, hares, crows, hornets, moles,
frogs, or, curiously enough, domestic poultry. An important item in
her outfit is her broomstick--as homely an insignia as the cat. Its
feminine connection is obvious, though possibly its power of flight may
be derived from the magic wand. Smeared with a Satanic ointment, it
acts as her chariot, or is prepared to serve her as a weapon of offence
or defence--and woe to him who suffers a beating from the witch's
broom-handle.
The spindle, emblem of domesticity, becomes in the witch's hands a
maleficial instrument, and may be applied by her to a number of evil
uses. The idea of the thread of life enters into many mythologies, and
it, from some confusion of ideas, may well have been instrumental in
transforming the natural occupation of an old woman into one of the
dangerous tricks of witchcraft.
Public-domain text, read in full here on John Shaqi.
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