The Bookbinder in Eighteenth-Century Williamsburg: An Account of His Life & Times, & of His CraftFord, Thomas K.
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The Bookbinder in Eighteenth-Century Williamsburg: An Account of His Life & Times, & of His Craft
Ford, Thomas K.
Bookbinding -- Virginia -- Williamsburg
Incidentally, among bookbinding craftsmen one does not mention “machine
binding”; to the true binder there is no true binding _except_ by hand.
The machines of a modern bindery do not “bind” a book according to the
craft tradition, but “case” it. Therefore, the words “bind,”
“bookbinding,” “bound books,” and so on whenever used in this pamphlet
always refer to the traditional hand operation, never to the machine
process or product. And “bookbinder” herein is always the hand
craftsman, never the machine operator.
_AN ANCIENT “ART AND MYSTERY”_
Man learned to write long before he learned to make paper. Smooth
stones, clay tiles, and wax tablets, among other surfaces, were early
precursors of scratch-pads and typewriter bond. Later, but before the
modern form of a paged book developed, written records were most often
kept on long rolls of papyrus, parchment, or vellum—the latter two being
much alike.
The lines of writing sometimes ran the entire length of these rolls,
sometimes they ran crossways, and sometimes they paralleled the long
edge but were divided into columns. The third arrangement is still used
in Jewish scrolls of the law, which are kept on rollers, one at each
end.
Such a long strip could, however, be folded accordion-like instead of
being rolled up. If the folds were made between the columns of writing,
each column became a page and the whole began to resemble the book we
are familiar with today.
At first these rudimentary books were protected by wooden boards pasted
to the first and last pages. As a next step holes were stabbed through
every page near the left-hand fold, and a cord or thong laced through
the holes held the “accordion” together along one side.
By the fifth century a method had come into general use of sewing
individually folded sheets together one by one, not to each other but to
a series of flexible “hinges.” These were usually narrow strips of
leather—four, five, or sometimes six depending on the height of the
book—laid across the folded edges of the pages. Linen thread sewed
through the folds and around each cross-strip in turn held the pages
firmly in place. Wooden boards affixed to the thongs as well as pasted
to the first and last pages protected the whole, sometimes with the help
of metal clasps and even locks.
[Illustration: _These methods of preserving written material have
now largely been superseded by the printed and bound or
machine-cased book: (A) Diptych or hinged tablet of wood, ivory, or
the like, often carved, whose inner surfaces of wax carried writing
impressed by the stylus. (B) Scroll with columnar writing on a pair
of rollers. (C) Japanese “orihon,” accordion-folded and bound along
one side. (D) Codex or early form of book, an illuminated manuscript
protected between thin boards; our word “book” comes from the German
for beech _(Buch)_, a wood often used for this purpose._]
Public-domain text, read in full here on John Shaqi.
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