The Borghesi Astronomical Clock in the Museum of History and Technology: Contributions from the Museum of History and Technology, Paper 35Bedini, Silvio A.
History
The Borghesi Astronomical Clock in the Museum of History and Technology: Contributions from the Museum of History and Technology, Paper 35
Bedini, Silvio A.
Astronomical clocks
This mechanical instrument was far from being ready for public
notice. A great deal of time and work remained to produce a
machine of this new system from the very foundations; then, by
a most accurate calculation to bring the motions of many wheels
up-to-date with the most recent astronomical observations; and,
finally, to fashion it with the craftsman's file, often enough
with a weary hand. All this work I had performed eagerly, so
that, while in my room, I might contemplate leisurely, both day
and night, the true face of the heavens and the seas unobscured
by clouds, even though I had no astronomical equipment. But,
then I remembered that, in my book on the first clock, I had
promised a description of a new (at least, as far as is known
to me) clock. Moreover, friends with astronomical interest, who
took part in the oft-repeated astronomical experiments
concerning this clock, persuaded me that the intellectual world
would enjoy having a greater knowledge and a description of
this work. However, it was not only the promises nor the
desires of many which moved me to write this work, but I also
thought it was necessary to set forth, before the description
of the clock, an exposition of the astronomical system
according to which this clock was constructed, so that the
complete work would be evident to all. I was concerned about
making this timepiece more acceptable and more understandable
to those people who are far distant and unable to see it, so
that this present exposition would obtain credulity among all.
I could find no better method than to set forth for the reader
the theory of the universe which I figured out after many
sleepless nights.
In testing this theory day after day, it not only appeared to
be complete, and true, but each day it appeared more
conformable to reality; it captured my mind in such a way that
I finally adhered to it. I desired, while I lived, to erect
this work as a monument to the theory. To do this, I digressed
a bit from the true-to-life pattern to the mechanical order so
that I could transfer all the movements of the heavens, etc.
(which I enjoyed thinking about more), to the plane surface of
the clock's face. In this way, the ecliptical spectacles of the
stars, etc., would appear at their proper times clearly before
the eyes of the viewer. I could also avoid many difficulties
which otherwise, perhaps, even the hands of the most skillful
craftsmen could never solve.
[Illustration: Figure 19.--MOVEMENT OF THE BORGHESI CLOCK, viewed from
the rear, showing rear of dial plate.]
Public-domain text, read in full here on John Shaqi.
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