The Botanic Garden, a Poem in Two Parts. Part 1: the Economy of VegetationDarwin, Erasmus
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The Botanic Garden, a Poem in Two Parts. Part 1: the Economy of Vegetation
Darwin, Erasmus
Natural history; Plants -- Poetry; Portland Vase
Since by the late discoveries or opinions of the Chemists there is
reason to believe that water is decomposed in the vessels of vegetables;
and that the Hydrogene or inflammable air, of which it in part consists,
contributes to the nourishment of the plant, and to the production of
its oils, rosins, gums, sugar, &c. and lastly as electricity decomposes
water into these two airs termed Oxygene and Hydrogene, there is a
powerful analogy to induce us to believe that it accelerates or
contributes to the growth of vegetation, and like heat may possibly
enter into combination with many bodies, or form the basis of some yet
unanalised acid.]
"So shall my pines, Canadian wilds that shade,
Where no bold step has pierc'd the tangled glade,
475 High-towering palms, that part the Southern flood
With shadowy isles and continents of wood,
Oaks, whose broad antlers crest Britannia's plain,
Or bear her thunders o'er the conquer'd main,
Shout, as you pass, inhale the genial skies,
480 And bask and brighten in your beamy eyes;
Bow their white heads, admire the changing clime,
Shake from their candied trunks the tinkling rime;
With bursting buds their wrinkled barks adorn,
And wed the timorous floret to her thorn;
485 Deep strike their roots, their lengthening tops revive,
And all my world of foliage wave, alive.
"Thus with Hermetic art the ADEPT combines
The royal acid with cobaltic mines;
Marks with quick pen, in lines unseen portrayed,
490 The blushing mead, green dell, and dusky glade;
Shades with pellucid clouds the tintless field,
And all the future Group exists conceal'd;
Till waked by fire the dawning tablet glows,
Green springs the herb, the purple floret blows,
495 Hills vales and woods in bright succession rise,
And all the living landscape charms his eyes.
Public-domain text, read in full here on John Shaqi.
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