The Botanic Garden, a Poem in Two Parts. Part 1: the Economy of Vegetation — John Shaqi
The Botanic Garden, a Poem in Two Parts. Part 1: the Economy of VegetationDarwin, Erasmus
History
The Botanic Garden, a Poem in Two Parts. Part 1: the Economy of Vegetation
Darwin, Erasmus
Natural history; Plants -- Poetry; Portland Vase
"_Here_ by fall'n columns and disjoin'd arcades,
On mouldering stones, beneath deciduous shades,
Sits HUMANKIND in hieroglyphic state,
Serious, and pondering on their changeful state;
325 While with inverted torch, and swimming eyes,
Sinks the fair shade of MORTAL LIFE, and dies.
_There_ the pale GHOST through Death's wide portal bends
His timid feet, the dusky steep descends;
With smiles assuasive LOVE DIVINE invites,
330 Guides on broad wing, with torch uplifted lights;
IMMORTAL LIFE, her hand extending, courts
The lingering form, his tottering step supports;
Leads on to Pluto's realms the dreary way,
And gives him trembling to Elysian day.
335 _Beneath_ in sacred robes the PRIESTESS dress'd,
The coif close-hooded, and the fluttering vest,
With pointing finger guides the initiate youth,
Unweaves the many-colour'd veil of Truth,
Drives the profane from Mystery's bolted door,
340 And Silence guards the Eleusinian lore.--
[Illustration: _The Portland Vase_]
[Illustration: _The first Compartment_, London Published Dec'r 1st 1791
by J. Johnson, St. Paul's Church Yard.]
[Transcriber's note: 2nd line with date very small and nearly illegible]
[Illustration: _The second Compartment_]
[Illustration: _The Handles & Bottom of the Vase._ London Published
Dec'r 1st 1791 by J. Johnson, St. Paul's Church Yard.]
"Whether, O Friend of Art! your gems derive
Fine forms from Greece, and fabled Gods revive;
Or bid from modern life the Portrait breathe,
And bind round Honour's brow the laurel wreath;
345 Buoyant shall sail, with Fame's historic page,
Each fair medallion o'er the wrecks of age;
Nor Time shall mar; nor steel, nor fire, nor rust
Touch the hard polish of the immortal bust.
[_Fine forms from Greece_. l. 342. In real stones, or in paste or soft
coloured glass, many pieces of exquisite workmanship were produced by
the antients. Basso-relievos of various sizes were made in coarse brown
earth of one colour; but of the improved kind of two or more colours,
and of a true porcelain texture, none were made by the antients, nor
attempted I believe by the moderns, before those of Mr. Wedgwood's
manufactory.]
2. "HENCE sable COAL his massy couch extends,
350 And stars of gold the sparkling Pyrite blends;
Hence dull-eyed Naphtha pours his pitchy streams,
And Jet uncolour'd drinks the solar beams,
Bright Amber shines on his electric throne,
And adds ethereal lustres to his own.
355 --Led by the phosphor-light, with daring tread
Immortal FRANKLIN sought the fiery bed;
Where, nursed in night, incumbent Tempest shrouds
The seeds of Thunder in circumfluent clouds,
Besieged with iron points his airy cell,
360 And pierced the monster slumbering in the shell.
[_Hence sable Coal_. l. 349. See additional notes, No. XXIII. on coal.]
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