The Bow, Its History, Manufacture and Use: 'The Strad' Library, No. III.Saint-George, Henry
History
The Bow, Its History, Manufacture and Use: 'The Strad' Library, No. III.
Saint-George, Henry
Stringed instruments
Sometimes the ordinary thread lapping gets cut through and interferes
with the player, and it is as well to know how to fasten it off at
once. I will assume that it is cut at the end nearest the nut (where
it usually happens). Take out the screw and wind the hair loosely but
securely round the upper part of the bow. Then unwind the lapping for
about an inch and a half. Take a piece of strong thread and double
it, then place it on the bow with the doubled end towards the handle.
Get a kind friend to hold the end of the lapping cord firmly and
commence winding it on again evenly and _over_ the doubled thread by
slowly rotating the bow. When within half an inch of the end of the
thread, take it all in your own hand and pass the end through the
loop of doubled thread and, taking the loose ends of the thread that
will hang out at the point where you started re-winding, pull the
doubled thread smartly out. This brings the end of the lapping right
through under the re-wound portion, where it will be held secure
until again cut through by the thumb-nail. This is the method
employed in fastening off new lappings. If you have not the time or
patience to do it this way a little sealing wax will hold the loose
end down during an evening's practice.
Considering that re-hairing is one of the most natural and most
frequent events in the life of a bow, it seems somewhat anomalous to
include it under the heading of "repairs." However, I will crave the
reader's kind indulgence for so doing.
At the outset I must emphatically assert that I do not advise
amateurs or artists to attempt to hair their own bows if any value
attaches to them, for it is astonishing how soon even a fine bow will
lose its _cambre_ if persistently haired in an unskilful manner. It
requires enormous experience to enable one to get the pull of the
hair equal in every case, and the slightest extra pull on one side or
the other gives the bow a twist that renders its action erratic and
extremely disturbing to a good violinist. The preceding operation to
re-hairing is that of unhairing. This is comparatively a simple
matter. The hair is first cut off short at each end, then hair at the
head is lifted up to disclose the plug (Fig. 40_a_). This is readily
lifted out with a pointed tool, and the curled up knot lying beneath
is pulled out. So much for the head. The nut is slightly more
complex. First the ferrule (Fig. 41_d_) is pulled off and the slide
(Fig. 41_f_) is pushed out. After this the hair is raised as with the
head, and the plug (Fig. 41_e_) picked out in the same manner. The
wedge in the nut (Fig. 41_c_) is used to spread the hair and keep it
firm at the heel, to give a good attack for heavy down strokes. This
is usually destroyed in unhairing, as it frequently has to be cut
away, owing to its being glued into position.
Public-domain text, read in full here on John Shaqi.
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