Fathers and sons -- Fiction; Runaway wives -- Fiction; Sportswriters -- Fiction
But Peter was not exactly unhappy. He knew that by all the rules he
should be broken-hearted or raging. He wondered why he had no impulse to
shoot Casey. As a matter of fact he could think of nothing more silly.
His mind kept turning back to a play he had seen once called "The Second
Mrs. Tanqueray." In that the heroine had confessed in the first act to
the man she was going to marry. It was thrilling Peter found to have
somebody confessing to him. Maria the dancer was romantic, but Maria the
adventuress was a whole leap beyond that into the realm of fantasy. He
stole a glance around the long room and everywhere he saw men and women
talking. Some were laughing and some were earnest. "But," he thought to
himself, "probably this is the only table in the room where anybody is
making a confession."
And besides all the dramatic values of the situation, he was not quite
unconscious of the comic ones. There sat Maria, at least five feet high
and looking about ten years old, gravely lifting up one corner of life a
little gingerly to spare the feelings of Peter Neale, the best known
sporting writer in America. But every other impression was swept away by
the sudden feeling that it was extraordinarily honest for Maria to tell
him all this. It was more than that. It was like cheering when the Yale
captain got up again. It was sportsmanship.
Peter reached across the table and patted her hand. "I'm not sad, Maria.
I think it was awfully white of you to tell me. I'm not exactly a good
man myself. Anyhow things are different with you. Those things you said
are nothing. You know the way I feel is that you're an artist and it's
nobody's business what you do. We don't have to talk about that any
more. There's something else. You remember what we were saying in the
taxicab. You've had two pieces of bread now and a glass of water. Won't
you marry me?"
"Yes," said Maria, "I'm going to marry you."
II
Peter was surprised the day they went down to get the license to
discover that Maria was twenty-three. He was only twenty-six himself.
Maria had seemed a child. Nineteen would have been his guess.
"Maybe," she said, "you will not want me because I am so old."
"You could be a hundred," Peter answered.
They were to be married the next day but when he met her at the theatre
in the evening she told him that Dolly Vance was ill and that Mr. Casey
wanted her to take over four of the sick girl's numbers. "I have to come
to the theatre at ten o'clock and rehearse all the day."
"Then we'll get married at nine. I'm not going to take a chance like
that. I've read about it in books. The whole house will be cheering you
and then you'll ask for waivers on me. I want to get you signed up."
"Pooh, for me they will not cheer. These are the jazz dances. They are
not for me. And Peter, oh, Peter, I must sing."
"Can you sing?"
Public-domain text, read in full here on John Shaqi.
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