The boy's book of battle-lyrics : $b a collection of verses illustrating some notable events in the history of the United States of America, from the colonial period to the outbreak of the sectional war — John Shaqi
The boy's book of battle-lyrics : $b a collection of verses illustrating some notable events in the history of the United States of America, from the colonial period to the outbreak of the sectional warEnglish, Thomas Dunn
History
The boy's book of battle-lyrics : $b a collection of verses illustrating some notable events in the history of the United States of America, from the colonial period to the outbreak of the sectional war
English, Thomas Dunn
United States -- History -- Poetry
The “singing women” described in the text must have been
picked Amazons, for the women in general, and children, had
been previously sent to a place of refuge by the Mobilians in
anticipation of a fight. The slaughter of the poorly armed natives
was very great, but the invaders suffered severely. Not only were
eighty-two killed, including the nephew and nephew-in-law of the
Adelantado (as De Soto was styled), but none of the Spaniards
escaped severe wounds. To add to their sufferings, the medicines
and surgical appliances, having been placed in the town previous to
the breaking out of the conflict, were burned, and all the surgeons
but one were killed. De Soto himself received an arrow in his
thigh. The missile was not extracted until after the battle, and he
was forced to continue the fight standing in his stirrups.
The place of the battle is supposed to be what is now known as
Choctaw Bluff, in Clarke County, Alabama.
_THE FALL OF MAUBILA._
Hearken the stirring story
The soldier has to tell,
Of fierce and bloody battle,
Contested long and well,
Ere walled Maubila, stoutly held,
Before our forces fell.
Now many years have circled
Since that October day,
When proudly to Maubila
De Soto took his way,
With men-at-arms and cavaliers
In terrible array.
Oh, never sight more goodly
In any land was seen;
And never better soldiers
Than those he led have been,
More prompt to handle arquebus,
Or wield their sabres keen.
The sun was at meridian,
His hottest rays fell down
Alike on soldier’s corselet
And on the friar’s gown;
The breeze was hushed as on we rode
Right proudly to the town.
First came the bold De Soto,
In all his manly pride,
The gallant Don Diego,
His nephew, by his side;
A yard behind Juan Ortiz rode,
Interpreter and guide.
Baltasar de Gallegos,
Impetuous, fierce, and hot;
Francisco de Figarro,
Since by an arrow shot;
And slender Juan de Guzman, who
In battle faltered not.
Luis Bravo de Xeres,
That gallant cavalier;
Alonzo de Cormono,
Whose spirit knew no fear;
The Marquis of Astorga, and
Vasquez, the cannoneer.
Andres de Vasconcellos,
Juan Coles, young and fair,
Roma de Cardenoso,
Him of the yellow hair—
Rode gallant in their bravery,
Straight to the public square.
And there, in sombre garments,
Were monks of Cuba four,
Fray Juan de Gallegos,
And other priests a score,
Who sacramental bread and wine
And holy relics bore.
And next eight hundred soldiers
In closest order come,
Some with Biscayan lances,
With arquebuses some,
Timing their tread to martial notes
Of trump and fife and drum.
Public-domain text, read in full here on John Shaqi.
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