"It was like a great shed, and it had the solid ground for a floor. On this floor there were kettles, or pans, set in brickwork, and each one of them had a little furnace under it, in which there was a charcoal fire. There must have been two hundred of these pans, and the heat from them was so great that it almost took away my breath. I don't believe I could exist there a day, and yet there were people who had to spend the entire day in the firing-room, and go there day after day besides. Many of them were women, and some of them had little children strapped to their backs, and there was a whole lot of children in a little room at one side of the shed, where a couple of women were looking after them. How I did pity the poor things! Fred and I just emptied our pockets of all the small change we could find in them for the benefit of the babies, and I wish we could have given them more. But there was hardly a cry from any of them, and they seemed as happy and contented as though their mothers were queens, instead of toiling over the firing-pan in that hot room for ten or fifteen cents a day. [Illustration: THE TEA-PLANT.] "They put a pound and a half of tea into each pan, and with it they put a teaspoonful of some coloring substance that they keep a secret. People say that this coloring matter is Prussian blue, and others say it is indigo, and that a little gypsum is put with it, so as to give the tea a bright appearance. The clerk told us it was indigo and gypsum that his house used, and declared that it was all false that any poisonous material was ever put in. He said they only used a teaspoonful of their mixture to a charge of tea, and the most of that little quantity was left in the pan in the shape of dust. When I asked him why they put anything in, he said it was to make the tea sell better in the American market. It looked so much better when it had been 'doctored' that their customers in New York and other cities would pay more for it, though they knew perfectly well what had been done. Then he showed me some of the tea that had been fired and put side by side with some that had not. I must say that the fired tea had a polished appearance that the other had not, and I could readily understand why it sells better. "As I have said, they put a charge of a pound and a half of tea into the pan with a teaspoonful of the mixture, and they have a fire of charcoal beneath it. The man or woman that does the firing stands in front of the pan and keeps the tea in constant motion. It must be kept moving all the time, so that it will not be scorched, and it must be gently rubbed between the fingers in order to polish it. It is kept in the pan eighty minutes, and then is considered dry enough for the packing-cases. [Illustration: FIRING TEA.]