The Boy Travellers in the Far East, Part Fourth: Adventures of Two Youths in a Journey to Egypt and the Holy LandKnox, Thomas Wallace
General
The Boy Travellers in the Far East, Part Fourth: Adventures of Two Youths in a Journey to Egypt and the Holy Land
Knox, Thomas Wallace
Egypt -- Description and travel -- Juvenile literature; Palestine -- Description and travel -- Juvenile literature
"Belzoni's tomb was made for King Sethi I., whose temple we visited from
Girgeh. Portions of it were left unfinished, and some of the drawings
are incomplete. This condition of the wall is to be regretted for some
reasons, but is very fortunate in other respects, as it shows how the
Egyptian artists performed their work. The draughtsman made the outlines
in red chalk, and they were then inspected by the chief artist, who
corrected any errors or made alterations with a black crayon; the marks
were then followed by the sculptor, and were afterward colored with the
proper pigments. In some cases the wall was laid out in squares before
the figures were drawn, but this does not seem to have been the
universal rule, and there is abundant evidence that the Egyptian
artists were accomplished in what we call 'free-hand' drawing.
[Illustration: AN EGYPTIAN HARPER.]
"From this tomb we went to that of Rameses III. It was discovered by
Bruce, the famous traveller in Egypt and Abyssinia, and usually bears
his name, though it is sometimes called 'the Harper's Tomb,' from the
figure of a man playing on a harp, which is painted on one of the walls.
It is much easier to visit than Belzoni's, and its chief interest lies
in the great number of agricultural, pastoral, and other scenes depicted
on the walls. The daily life of the people is very clearly shown, and we
have an excellent idea of what the ancient Egyptians did, how they
lived, and what were their articles of furniture, dress, and the like.
We were astonished to see pictures of sofas, chairs, tables, and other
adornments of the house that would be considered luxurious at the
present time. Doctor Bronson says the designers of modern furniture
might learn a great deal by coming here and copying the pictures on the
walls.
[Illustration: A CHAIR FROM BRUCE'S TOMB.]
"We saw half a dozen tombs of the kings, and then went to the tombs of
the Assaséef. Perhaps you'd like to know what they are?
"They were the tombs of certain high-priests of Thebes, who are reputed
to have been very wealthy and powerful, and certainly they must have
been pretty nearly as important as the king under whom they lived. Their
tombs are even larger than any of the tombs of the kings: the greatest
of the Assaséef tombs has a lineal distance from the entrance to the
farthest point of eight hundred and sixty-two feet, and the floors of
the various passages, rooms, and pits include an area of about an acre
and a quarter. Isn't that a pretty large tomb for one person--even
though he included the members of his family and a few personal friends?
"We lighted our torches at the entrance, and then began a long walk
through the interior, though we did not visit all the side chambers and
narrow rooms, of which there are a great many. The sculptures on the
walls are inferior to those in Belzoni's and Bruce's tombs, and we did
not spend much time over them.
Public-domain text, read in full here on John Shaqi.
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