"This little man cuts us all out," said one generous sculptor to
another, willing to acknowledge Flaxman's great superiority. Honours now
flowed in upon him. He was made an Associate of the Royal Academy. He
was given the Professorship of the Chair of Sculpture. At his first
lecture he was enthusiastically cheered. He had climbed to the highest
height of his art. It almost seemed as if no honour remained to be
bestowed. He was surrounded by fame and applause, but he was in no wise
uplifted. So the years went on in the delight of the work he loved.
But, unexpectedly and all unknown to his friends, his life was drawing
to a close. In the winter of 1826 he caught a cold, seeming for a time
to be slightly, though not seriously, ailing. In the beginning of
December he grew much worse, but he would not go to bed.
"When I lie I cannot breathe," he said. So, sitting up to the end, and
with scarce a struggle, he passed away on the 7th of December.
They buried him quietly in the churchyard of St. Giles-in-the-Fields.
There was no great publicity, no large concourse of people. Just a few
friends, a few artists--the greatest--were there, men who in tremulous,
hushed voices said to each other they "had lost something greater and
dearer than they should see again."
Turning from the ending of his life, we cannot but feel that we are
turning from the record of a man who has lived it well.
An enthusiastic admirer has said, "He was a remarkable mixture of
simplicity and genius--were you to try any other ingredients you would
scarcely form so glorious a creature." And we hardly think he was far
wrong.
We can see very clearly the fine simplicity of his nature in his
treatment of his workmen. They were to him rather friends than servants.
They in their turn repaid him with a warm and devoted affection, calling
him "the best master God ever made."
To the end, as well in time of difficulty and of toil as in time of
triumph, the man retained very much those qualities that had drawn out
people's love for him in boyhood, the kindly word from the customer in
the shop behind the counter. The world offered him of its best, as it
has a way of doing to those who do well for themselves, but it had
no power to draw him from his work and the simplicity of his simple
home-life. It was only and always to that which is highest and best that
he gave of his genius. That noble mind of his could stoop to nothing
less. In churches all over England are to be found beautiful creations
of his. In him were at once goodness and genius linked together.
"If ever purity visited this earth," someone has said, "it remained with
Flaxman."
SIR HUMPHREY DAVY.
Public-domain text, read in full here on John Shaqi.
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