It is not, perhaps, material to say anything of the beauty of Alcibiades, only that it bloomed with him in all the ages of his life, in his infancy, in his youth, and in his manhood; and, in the peculiar character becoming to each of these periods, gave him, in every one of them a grace and a charm. What Euripides says, that "Of all fair things the autumn, too, is fair," is by no means universally true. But it happened so with Alcibiades, amongst few others, by reason of his happy constitution and natural vigor of body. It is said that his lisping, when he spoke, became him well, and gave a grace and persuasiveness to his rapid speech. Aristophanes takes notice of it in the verses in which he jests at Theorus: "How like a colax he is," says Alcibiades, meaning a corax*; on which it is remarked, "How very happily he lisped the truth," (*This fashionable Attic lisp, or careless articulation, turned the sound r into l. Colax, a flatterer; corax, a crow.) His conduct displayed many inconsistencies, not unnaturally, in accordance with the many wonderful vicissitudes of his fortunes; but, among the many strong passions of his real character, the most powerful of all was his ambition for superiority, which appears in several anecdotes told of him while he was a child. Once being hard pressed in wrestling, and fearing to be thrown, he got the hand of his antagonist to his mouth, and bit it with all his force; and when the other loosed his hold presently, and said, "You bite, Alcibiades, like a woman." "No," replied he, "like a lion." Another time, when playing at dice in the street, being then only a child, a loaded cart came that way, just as it was his turn to throw; at first he called to the driver to stop, because he was about to throw in the way over which the cart would pass; but when the man paid him no attention, and was driving on, the rest of the boys divided and sprang away; but Alcibiades threw himself on his face before the cart, and, stretching himself out, bade the carter pass on now if we would. The man was so startled that he put back his horses, while all that saw it were terrified, and, crying out, ran to assist Alcibiades. When he began to study, he obeyed all his other masters fairly well, but refused to learn upon the flute, as a thing unbecoming a free citizen; saying that to play upon the lute or the harp does not in any way disfigure a man's body or face, but one is hardly to be known by his most intimate friends, when playing on the flute. Besides, one who plays on the harp may speak or sing at the same time; but the use of the flute stops the mouth, intercepts the voice, and prevents all articulation. "Therefore," said he, "let the Theban youths pipe, who do not know how to speak, but we Athenians, as our ancestors have told us, have Athena for our patroness, and Apollo for our protector, one of whom threw away the flute, and the other stripped the Flute-player of his