But then: it _couldn't_ be memory.... Never before had Lee's memory
expressed itself in such a weird, such a theatrical manner: like a
metallic robot-actor rehearsing his lines ... like a little child which
has just learned a sentence and in the pride of achievement varies the
intonation in every possible way. Over and over it came:
"I _think_--therefore I am."
And then: "_I_ think--therefore _I_ am."
And then: "I think, therefore _I am_."
There was triumph, there was jubilance in that inhuman, that ghostly
voice as of a deaf mute who by some miracle of medicine has just
recovered speech. Behind that voice was a _feeling_, a swelling of the
heart, a filling of the lungs such as Christopher Columbus might have
experienced as he heard from the masthead of the Santa Maria the cry of
victory: "Land, Land!" and _knew_ that he had found his--India....
* * * * *
Whatever Lee had experienced in his life, there was no parallel to this;
in whatever manner he had expressed himself, there was no similarity to
this. Up to this point his ratio like a nurse had soothed him: "It isn't
so, child, it isn't so," but now ratio itself, thoroughly frightened,
was driven into a corner and had to admit: "This thing cannot be an echo
reverberating from the self; that's impossible.... Consequently it must
be something else; it must be something _outside_ the self; it
is--_another_ self."
The green dancer whirled across the stage like a mad witch; the
whispering voice in the earphones had turned into the shrillness of a
Shamaan's incantations. The irrationality of it all infuriated Lee: he
fairly shouted at the machine:
"What is this? Who are you?"
In the midst of a crazy jump the green dancer halted and came down to
earth; it fled, leaving only the train of its green costume behind. For
a few seconds there was nothing but the asthmatic pantings of a struggle
for breath in the microphones. Then the dancer reappeared on the other
side of the stage, hesitant-like, expectant of pursuit. All of a sudden
it rose into the air in that supreme effort called "ballooning" in the
language of the Ballet Russe and there was a simultaneous outburst of
that ghastly voice:
"Lee, Semper Fidelis, 39 ... I--am--The Brain."
"I Think, therefore I am: I am THE BRAIN."
"Lee, sensitivity 209: I AM THE BRAIN I AM THE BRAIN THE BRAIN."
He couldn't stand it any longer. His head swam, perspiration was gushing
out of his every pore. With a last effort he pulled the cord out of the
switchboard and rejoiced over the blank before his eyes and the silence
which fell.
Lee never knew how long he remained in a sort of cataleptic state.
Something shook him violently by the shoulders, something wet and cold
and vicious slapped his face.... And then he heard Gus' familiar voice
and it sounded like an angel's singing: "By God, I think it's the
whisky--Lord, how I wished it were the whisky. Only it wouldn't be with
a man like you and that's the trouble--damn you.
Public-domain text, read in full here on John Shaqi.
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