The Brass Bell; or, The Chariot of Death — John Shaqi
The Brass Bell; or, The Chariot of DeathSue, Eugène
History
The Brass Bell; or, The Chariot of Death
Sue, Eugène
Gaul -- History -- 58 B.C.-511 A.D. -- Fiction
An officer of savage and insolent mien advanced alone towards the
chariot and addressed to the women some words in the Latin tongue which
the soldiers received with roars of revolting laughter. My mother, calm,
pale, and terrible, exhorted the young women around her to maintain
their self-control. Then the Roman, adding a word or two, closed with an
obscene gesture. Margarid happened at that moment to have in her hand a
heavy axe. So straight at the officer's head she hurled it, that he
reeled and fell. His fall was the signal for the attack. The legionaries
pressed forward to the capture of the chariot. Then the women rushed to
the scythes, which on each side defended the cart, and plied them with
such vigor and harmony, that the Romans, seeing a great number of their
men killed or disabled, conceived a wholesome fear for such terrible
arms, so intrepidly plied. They suspended the attack, and, applying
their long lances after the fashion of crow-bars, succeeded, without
approaching too near, in shattering the handles of the scythes. This
safeguard demolished, a new attack commenced. The issue was not
doubtful. While the scythes were falling under the blows of the
soldiers, my mother hurriedly said a few words to Martha and Henory. The
two, with a look of pride and determination on their faces, ran towards
the cover which sheltered the children. Margarid also spoke to the young
childless women, and they, as well as the young girls, took and piously
kissed her hands.
At that moment, the last scythes fell. Margarid seized a sword in one
hand and a white cloth in the other. She stepped to the front of the
chariot, waved the white cloth, and threw away the sword, as if to
announce to the enemy that all the women wished to give themselves up.
The soldiers, at first astonished at the proposed surrender, answered
with laughs of ironical consent. Margarid seemed to be awaiting a
signal. Twice she impatiently cast her eyes toward the shelter, where
the two women had gone. Evidently, as the signal she seemed to wait for
was not given, she was trying to distract the enemy's attention, and
again waved her cloth, pointing alternately to the town of Vannes and to
the sea.
Public-domain text, read in full here on John Shaqi.
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