Never, he thought, had he known moonlight so pure, so silvery and
strong. Shadows of gates and posts lay upon the forward deck like
stencils of lamp-black upon white marble. Beyond the boat's bluntly
rounded nose the East River stretched its restless, dark reaches,
glossy black, woven with gorgeous ribbons of reflected light streaming
from pier-head lamps on the further shore. Overhead, the sky, a pallid
and luminous blue around the low-swung moon, was shaded to profound
depths of bluish-black toward the horizon. Above Brooklyn rested a
tenuous haze. A revenue cutter, a slim, pale shape, cut across the bows
like a hunted ghost. Farther out a homeward-bound excursion steamer,
tier upon tier of glittering lights, drifted slowly toward its pier
beneath the new bridge, the blare of its band, swelling and dying upon
the night breeze, mercifully tempered by distance.
Presently Maitland's attention was distracted and drawn, by the abrupt
cessation of its motor's pulsing, to the automobile on his right. He
lifted his chin sharply, narrowing his eyes, whistled low; and
thereafter had eyes for nothing else.
The car, he saw with the experienced eye of a connoisseur, was a recent
model of one of the most expensive and popular foreign makes: built on
lines that promised a deal in the way of speed, and furnished with
engines that were pregnant with multiplied horse-power: all in all not
the style of car one would expect to find controlled by a solitary
woman, especially after ten of a summer's night.
Nevertheless the lone occupant of this car was a woman. And there was
that in her bearing, an indefinable something,--whether it lay in the
carriage of her head, which impressed one as both spirited and
independent, or in an equally certain but less tangible air of
self-confidence and reliance,--to set Mad Maitland's pulses drumming
with excitement. For, unless indeed he labored gravely under a
misapprehension, he was observing her for the second time within the
past few hours.
Could he be mistaken, or was this in truth the same woman who had (as
he believed) made herself free of his rooms that evening?
In confirmation of such suspicion he remarked her costume, which was
altogether worked out in soft shades of grey. Grey was the misty veil,
drawn in and daintily knotted beneath her chin, which lent her head and
face such thorough protection against prying glances; of grey suede
were the light gauntlets that hid all save the slenderness of her small
hands; and the wrap that, cut upon full and flowing lines, cloaked her
figure beyond suggestion, was grey. Yet even its ample drapery could
not dissemble the fact that she was quite small, girlishly slight, like
the woman in the doorway; nor did aught temper her impersonal and
detached composure, which had also been an attribute of the woman in
the doorway. And, again, she was alone, unchaperoned, unprotected....
Public-domain text, read in full here on John Shaqi.
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