The Brass Check: A Study of American JournalismSinclair, Upton
General
The Brass Check: A Study of American Journalism
Sinclair, Upton
Associated Press; Journalism -- United States; Press -- United States
Picture me at this moment, a young writer of twenty-five who has been
pleading with the American public to remember its high traditions, and
has seen his plea fall flat, because the newspapers and magazines
overlooked him; also—a painful detail, but important—who has been
supporting a wife and baby on thirty dollars a month, and has been paid
only five hundred dollars for two years work on a novel. A friend who
knows the literary world tells me that this is the chance of my life.
“Collier’s” is run “on a personal basis,” it appears; a sort of family
affair. “If Robbie likes you, your fortune is made,” says my friend.
“This is your ‘open sesame’ to the public mind.”
Well, I go to see Robbie, and it appears that Robbie likes me. I am
young and ascetic-looking; the tension under which I have worked has
given me dyspepsia, so my cheeks are hollow and my skin is white and my
eyes have a hectic shine. Robbie, no doubt, is moved to sympathy by
these phenomena; he himself is a picture of health, florid and jolly, a
polo-player, what is called a “good fellow.” He asks me, will I come to
dinner at his home and meet some of his friends and his editorial staff?
I answer that of course I will.
My worldly-wise friend insists that I shall invest my spare savings in a
dress-suit, but I do not take this advice. I go to Robbie’s palatial
home in my old clothes, and Robbie’s velvet-footed butler escorts me
upstairs to Robbie’s dressing-room, where Robbie’s valet is laying out
his things on the bed. And while Robbie is dressing, he tells me again
how much he admires my article. It is the most illuminating discussion
of present-day problems that he has ever read. He and his friends don’t
meet many Socialists, naturally, so I am to tell them about Socialism. I
am to tell them everything, and needn’t be afraid. I answer, quite
simply, that I shall not be in the least afraid.
The evening was spoiled because Robbie’s father came in. Old Peter
Collier was a well-known character in New York “society”; but as not all
my readers have been intimate in these circles, I explain that he had
begun life as a pack-peddler, had started “Collier’s Weekly” as an
advertisement sheet, and by agents offering books as premiums had built
up a tremendous circulation. Now he was rich and important; vulgar,
ignorant as a child, but kind-hearted, jovial—one of those nice,
fatherly old fellows who put their arms about you, no matter who you
are.
And here he had come in to dinner with his son, and found his son
entertaining a Socialist. “_What?_ What’s this?” he cried. It was like a
scene in a comedy. He would hear one sentence of what I had to say, and
then he would go up in the air. “Why—why—that’s perfectly outrageous!
Who ever heard of such a thing?” He would sputter for five or ten
minutes, to the vast amusement of the rest of the guests.
Public-domain text, read in full here on John Shaqi.
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