The low margin of sand that, in truth, gives all its maritime security
to the port of Venice and the Lagunes, is called the Lido di Palestrino.
It has been artificially connected and secured, in many places, and the
wall of the Lido (literally the beach), though incomplete, like most of
the great and vaunted works of the other hemisphere, and more
particularly of Italy, ranks with the mole of Ancona, and the sea-wall
of Cherbourg. The hundred little islands which now contain the ruins of
what, during the middle ages, was the mart of the Mediterranean, are
grouped together within cannon-shot of the natural barrier. Art has
united with nature to turn the whole to good account; and, apart from
the influence of moral causes, the rivalry of a neighboring town, which
has been fostered by political care, and the gradual filling up of the
waters, by the constant deposit of the streams, it would be difficult to
imagine a more commodious, or a safer haven when entered, than that
which Venice affords, even to this hour.
As all the deeper channels of the Lagunes have been preserved, the city
is intersected in every direction by passages, which from their
appearance are called canals, but which, in truth, are no more than so
many small natural branches of the sea. On the margin of these passages,
the walls of the dwellings arise literally from out of the water, since
economy of room has caused their owners to extend their possessions to
the very verge of the channel, in the manner that quays and wharfs are
pushed into the streams in our own country. In many instances the
islands themselves were no more than banks, which were periodically
bare, and on all, the use of piles has been necessary to support the
superincumbent loads of palaces, churches, and public monuments, under
which, in the course of ages, the humble spits of sand have been made
to groan.
The great frequency of the canals, and perhaps some attention to economy
of labor, has given to by far the greater part of the buildings the
facility of an approach by water. But, while nearly every dwelling has
one of its fronts on a canal, there are always communications by the
rear with the interior passages of the town. It is a fault in most
descriptions, that while the stranger hears so much of the canals of
Venice, but little is said of her streets: still, narrow, paved,
commodious, and noiseless passages of this description, intersect all
the islands, which communicate with each other by means of a countless
number of bridges. Though the hoof of a horse or the rumbling of a wheel
is never heard in these strait avenues, they are of great resort for all
the purposes of ordinary intercourse.
Public-domain text, read in full here on John Shaqi.
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