"I begin to see into the nature of the trade," returned the pliant
padrone, placing a finger on the side of his nose. "I will discourse the
woman by the hour about the flavor of the liquor, or, if thou wilt, of
her own beauty; but to squeeze a drop of anything better than the water
of the Lagunes out of the ribs of the felucca, would be a miracle worthy
of San Teodoro."
"There is but little need to touch on aught but the quality of thy
wine. The girl is not like most of her sex, and she takes sudden offence
when there is question of her appearance. Indeed, the mask she wears is
as much to hide a face that has little to tempt the eye, as from any
wish at concealment."
"Since Gino has entered frankly into the matter," resumed the
quick-witted Calabrian, cheerfully, and with an air of sudden confidence
to the expectant Annina, "I begin to see more probability of our
understanding each other's meaning. Deign, bella donna, to go into my
poor cabin, where we will speak more at our ease, and something more to
our mutual profit and mutual security."
Annina was not without secret doubts, but she suffered the padrone to
lead her to the stairs of the cabin, as if she were disposed to descend.
Her back was no sooner turned, than Gino slid into the gondola, which
one shove of his vigorous arm sent far beyond the leap of man. The
action was sudden, rapid, and noiseless; but the jealous eye of Annina
detected the escape of the gondolier, though not in time to prevent it.
Without betraying uneasiness, she submitted to be led below, as if the
whole were done by previous concert.
"Gino has said that you have a boat which will do the friendly office to
put me on the quay when our conference is over," she remarked, with a
presence of mind that luckily met the expedient of her late companion.
"The felucca itself should do that much, were there want of other
means," gallantly returned the manner when they disappeared in the
cabin.
Free to discharge his duty, Gino now plied his task with redoubled zeal.
The light boat glided among the vessels, inclining, by the skilful
management of his single oar, in a manner to avoid all collision, until
it entered the narrow canal which separates the palace of the Doge from
the more beautiful and classic structure that contains the prisons of
the Republic. The bridge which continues the communication of the quays,
was first passed, and then he was stealing beneath that far-famed arch
which supports a covered gallery leading from the upper story of the
palace into that of the prisons, and which, from its being appropriated
to the passage of the accused from their cells to the presence of their
judges, has been so poetically, and it may be added so pathetically,
called the Bridge of Sighs.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account