"It's fancy and high-falutin' for my taste," said honest Cyrus, "but
it's not so bad as those others. If you want it, have it! I can't stand
out against you, darling. I can call her 'daughter' when I'm tired."
So Gwendolen she was christened, and in time Cyrus became not only
reconciled, but actually proud of the pretty name, saying that it
sounded yellow, like her hair.
In earlier years of struggle,--pleasant stress it had always been--Cyrus
Todd, in the wide, lonely life of the prairie, had become a reader of
books. His pious English mother had not died before transmitting to her
boy her veneration for the great souls of the past. Among his very few
possessions, brought originally from Pennsylvania, were three
books;--Shakespeare, the Bible, and, strangely enough, a copy of Marco
Polo. During the days of poverty these three formed his sole, incessant
reading. Afterward he bought more books, generally bound garbage-heaps
of literature, perpetrated in rich boards, and disseminated by strenuous
agents who urged to purchase with a glibness unknown to any since
Beelzebub. A few good books came to him, generally by a fortuitous
mischance. Imitating his neighbors, he sent in subscriptions to the
"Western Farmer's Evangel" and "The Horn of Plenty." He read everything,
bad or good, keeping new words and phrases strictly out of his daily
vocabulary. His time had not yet come for mental segregation.
Chiefly because of this modest simplicity of his speech, no one
suspected him of the growing passion. Never was a figure less scholarly
to view. His keen eyes of bluish green, with their trick of closing
slightly from underneath when interested, seemed to look out toward
horizons of actual experience, rather than along those shadowy vistas
down which the pilgrim band of thinkers moves. His limbs, loosely hung,
were made for striding over furrows. His mouth, thin-lipped and
straight, sensitive at the corners to any hint of humor or of pathos,
showed early lines of shrewdness and self-restraint. Never a great
talker, he was, as a listener, an inspiration. His silences in
conversation were not of the brooding, introspective kind in which one
seems to be planning his own next remark, but of deep and intelligent
interest in what his companion was saying. He was alert, practical,
interested in many things, sympathetic with many views.
Within the badly printed pages of the "Farmer's Evangel" he found his
first clue to the outer world. This was an illustrated article on rice
culture,--in Japan. Before he had turned the first column he felt the
threads of destiny pull.
"Them little chaps is all right, I guess," he remarked aloud, at the top
of the second column.
"No red rust on Johnny Jap!" he murmured admiringly, at the third.
With the fourth and last strip of reading, mated to a pictured group of
Chinese coolies flailing rye, he let the paper fall and his soul go
straying.
Public-domain text, read in full here on John Shaqi.
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