American fiction -- 20th century; Chicago (Ill.) -- Fiction; Journalists -- Fiction; Marriage -- Fiction
The being who thus in a state of utter detachment scornfully and sadly
criticized Felix Fay, floated back airily, or at least with no sense of
treading any actual floor with mortal feet, to the ballroom. Across the
room he saw some one coming toward him, smiling. It was Elva Macklin;
but it was not by that name, nor as the actress who had taken a part in
his play, that he identified her; it was rather as a childhood
playmate—a girl with whom he had once danced, long years ago, in a
garret. She was dressed as a dryad, disguised in a leafy covering, but
he recognized her well enough. It was clear to him that they had an
engagement to dance together—an engagement that had waited all these
years. The music struck up, he held out his arms, and she walked into
them without a word. They floated off across the room, into the maze of
dancers, threading their way among the others with that ease which comes
of senses quickened with music, pausing and turning, drawing upon the
floor an intricate pattern of movement born of fancy. The others in the
room did not exist for him, save as shadows, bright shadows cast by the
music. They were alone, in a dream, in a soft wordless dream; they did
not so much listen to the music as create it by their own movements.
They had left the world of reality, as if for ever, they were in some
realm of golden light, a land of fruits and flowers, a place of quiet,
triumphant happiness. This girl with him was no real girl, but a part of
the dream; he had always known her; she was the companion of many
wanderings through the lands of reverie; they understood each other too
well to need words; she was his dream comrade. Not a girl, not any one
that one must love or not love, fight for and work for, but a shadow
like himself in this place of bright shadows, in this peaceful and happy
realm beyond life and beyond death....
The music stopped, and he awoke with some astonishment to find that he,
Felix Fay, had been dancing. Elva Macklin smiled, gave his hand a
grateful pressure, and turned to the young man who came up asserting
that the next dance was his.
Public-domain text, read in full here on John Shaqi.
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