American fiction -- 20th century; Chicago (Ill.) -- Fiction; Journalists -- Fiction; Marriage -- Fiction
His mind went back to the time when they had innocently rehearsed this
scene in farce.... Now it was happening in deadly earnest. Yes—in deadly
earnest.
“The thing I can’t stand,” he said, between clenched teeth, “is hearing
you say such things and not believing you mean them....”
“You can believe me, Felix.... I want you to be happy, more than
anything else in the world. I don’t care.... You’ve been wanting her all
week. Go to her.... And—don’t worry about me, Felix. Everything will
come out all right.”
They stared solemnly at each other, trying to realize what was
happening—bracing themselves to meet a moment which they had lightly
envisaged in theory, in discussion, but which in reality had an air of
terribleness about it. That conversation should have taken place against
a background of thunders and lightnings. It was as if with these words
they had pushed aside the dear, familiar walls of everyday reality, and
were face to face with naked, elemental forces—as if they were suddenly
alone and helpless in the midst of a huge, impersonal, indifferent and
awful universe.
3
“Go to her,” Rose-Ann repeated softly; and with the feeling of one
strangely doomed, one who rested under the burden of a frightful duty
not to be flinched from, Felix went quietly out of the studio.
He could still see Rose-Ann’s eyes in his imagination: those eyes, not
tearful now, but grave and brooding, full of courage.... Yes, at last he
believed her.
------------------------------------------------------------------------
LI. “Bienfaits de la Lune”
1
Public-domain text, read in full here on John Shaqi.
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